NOTE: This tutorial is geared towards a Mac setup. I don't know whether or not the QuicKeys file I provide will work on a PC, but the process should be easily recreated in whatever software you are using.
Thanks to Vinnie Manierre for providing this information/collaborating with me and thanks to some other very talented post production gurus and AEs as well, including Rob Kraut and Vincent Rocca.
For a comprehensive multigrouping tutorial please check out this page by Tim Leavitt: http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/
As well as this excellent multigrouping video tutorial by Vincent Rocca: http://www.youtube.com/watch?v=aDR8nRXSTyc
OK. Let's get started!
You Will Need:
- Avid (any version should work)
- QuicKeys (http://startly.com/products/quickeys/mac/4/) or Keyboard Maestro (http://www.keyboardmaestro.com/main/). Both offer free, fully-functional trial versions.
For your Bin Layout create these columns, in this exact order:
- Name
- Mark In
- Aux Timecode
This is what your upper left hand corner should look like, with your sync map inside your bin:
Numbers 1-7 should be mapped to your keyboard in Avid as follows:
- Mark Clip
- Go to In
- Match frame
- Go to Out
- Mark Out
- Make Subclip
- Fast Forward
This is what your keyboard should look like:
Once you have the keyboard set up, open QuicKeys and load the QuicKeys file downloadable here: https://dl.dropboxusercontent.com/u/46592759/qk_multigroup_setting.qkmx
Double click and open the "QK Multigroup" setting that should appear in your QuicKeys Editor window. Everything you need is laid out in this file. You can scroll through it and see the various steps of the multigrouping process that will be automated.
Now scroll down to Step 15:
Click “Set Location” and the window below will pop up.
Press the Caps Lock Key with the mouse over the Name Column’s first entry field. Then click OK. Set the Release Location (Also Step 15 in the QuicKeys file) for the same spot.
It’s important that you keep your bin lined up properly in this corner otherwise you will have to redo this step.
Now, very important: run this macro one layer at a time, making sure to solo your video tracks. Each layer should look like this as you go, with the green solo button activated (On a Mac, hold down Command and click on the monitor icon):
If all of your settings are otherwise correct, you can skip towards the bottom and learn how to activate the macro. Otherwise, read on for a description of exactly what the macro will be doing, step by step:
First, the QuicKeys macro will create a subclip using the multigrouping keystrokes assigned to the numbers 1-6.
After the subclip has been created, Step 15 will click in the name column, then Step 18 (“TAB”) will shift you to the Mark In Column.
Step 20 (“Shift + Return”) will take you to the bottom of the bin, where your sequence is located.
QuicKeys will copy that Mark In value, which will be the basis of your Auxiliary Timecode entries. It will then hit tab again, which will bring you to the Auxiliary TC1 Column.
Then it will press enter, which brings you back up to your subclip, then it will hit paste, which pastes the Mark In value to the subclip’s Auxiliary TC1 Column.
Apple + 0 will bring you back to the timeline, “7” will skip you to the next Add Edit point.
Now go ahead and designate a keystroke to activate the macro. In my case it is F6.
Finally, time to start the process.
NOTE: YOU MUST DEACTIVATE SEGMENT/OVERWRITE TOOLS FOR THE MACRO TO FUNCTION PROPERLY. Otherwise the timeline indicator will get "stuck" on individual clips.
Press F6 (or whatever key you've set) in Avid with your timeline activated. A window will pop up asking you how many times you want it to run. You can count or estimate. Just make sure: if it repeats itself at the end of the sequence because you estimated incorrectly, delete the subclips with identical Aux Timecode.
You'll also end up with Sub-Sequences in your bin. That's what happens over filler with no clip. You can delete those as well. Just make sure, of course, not to delete your Sync Map on accident.
Then voilĂ , you have automated the process of adding Auxiliary Timecode in Avid!
NOTE: Don't do any audio layers with your video except for Aux TC. If they are polyphonic you just need to do one of those as it subs them all together.