tag:blogger.com,1999:blog-63348237707222709812024-03-20T02:06:58.927-07:00Will Blank's BlogCreative projects, musings and life-saving post-production tutorials.Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-6334823770722270981.post-87956617751076224542016-11-17T11:39:00.001-08:002019-07-16T10:25:34.882-07:00A Starter Guide to Becoming An Assistant Editor & Editor In Hollywood<span style="font-family: "trebuchet ms" , sans-serif;">Hi there! Welcome to this brief primer on how to get started as an Assistant Editor in the film/TV industry in Los Angeles. I'm an Assistant Editor and Editor who has worked on a number of shows for networks like AMC, HBO & NBC. Hope this helps!</span><br />
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<u><span style="font-family: "trebuchet ms" , sans-serif;">TABLE OF CONTENTS</span></u><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><u><br /></u><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#1"><span id="goog_1438071512"></span>THE PHILOSOPHY<span id="goog_1438071513"></span></a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#2">WHAT WILL MY JOB TRAJECTORY LOOK LIKE?</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#2a">TV OR FILM? DO I HAVE TO PICK?</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#2b">SHOULD I GO TO FILM SCHOOL?</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#3">WHERE TO START</a></span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#4">LEARN AVID</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#5">WHY AVID?</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#6">BUT... AVID IS WEIRD</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#7">SHOULD I GET A POST PA JOB?</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#8">BUY THESE BOOKS</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#9">APPLY TO THE A.C.E. INTERNSHIP</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#10">GET YOUR FIRST REALITY TV/INDIE FILM JOB</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#11">REALITY TV SPECIFIC RESOURCES</a></span></li>
<li><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#12" style="font-family: "trebuchet ms", sans-serif;">SHOULD I JOIN THE UNION (HINT... YES. EVENTUALLY.)</a></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#13">HOW TO JOIN THE UNION</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#14">THE INDUSTRY EXPERIENCE ROSTER</a></span></li>
</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#14a">NETWORKING</a></span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#15">NETWORKING RESOURCES</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#16">AMERICAN CINEMA EDITORS (A.C.E.)</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#17">SHADOW A SCRIPTED ASSISTANT EDITOR</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#18">CONTACT YOUR FAVORITE EDITORS</a></span></li>
</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#18a">TECH RESOURCES FOR WHEN YOU'RE A SCRIPTED ASSIST</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://willblanksblog.blogspot.com/2016/11/a-starter-guide-to-becoming-assistant.html#19">CONCLUSION</a></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-large;"><a href="https://www.blogger.com/null" name="1"></a><u><b>THE PHILOSOPHY</b></u></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">A guiding principle in my life is not to behave or make choices out of fear. In competitive industries, there can be a feeling that there aren't enough jobs to go around. Philosophically, I am opposed to this mindset. There are enough resources in this world for everyone. If you want to be a part of this industry, assuming you're not mean or crazy, you will. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br />So I offer this info from a place of abundance. I want everyone to have the knowledge necessary to find a job in post-production, the only obstacles being if you're mean or crazy. <br /><br />I will also say, not everything will be spelled out for you in this post. Filling in the gaps is what separates casual, not-so-serious people from the serious people. Prove you want it!</span><br />
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<u><span style="font-family: "trebuchet ms" , sans-serif; font-size: x-large;"><a href="https://www.blogger.com/null" name="2"></a><b>WHAT WILL MY JOB TRAJECTORY LOOK LIKE?</b></span></u><br />
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<b><span style="font-family: "trebuchet ms" , sans-serif;">VERSION 1 (THE LIKELY SCENARIO)</span></b><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Start as a night assistant (or day assistant) in reality or variety TV; gain technical skills and the 100 work days required to join the Editors Guild. Network your way into scripted and work as an assistant editor in scripted TV or film anywhere from 1-5 (or 20) years. Get a break to become an editor.</span><br />
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<b><span style="font-family: "trebuchet ms" , sans-serif;">VERSION 2 (THE LESS-LIKELY SCENARIO)</span></b><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Start by editing corporate videos, short films or indie features. Hope that one of those jobs allows you to network with someone you can work with long term or one of those projects becomes a huge success. Have a great career with those people. Skip assisting all together. Continue working as an editor.</span><br />
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<b>VERSION 3 (A COMBINATION OF THE TWO)</b></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Work full-time as an assistant while also taking on side projects that could potentially launch your career as an editor.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: large;"><b style="font-size: x-large;"><a href="https://www.blogger.com/null" name="2a"></a><u>TV OR FILM? DO I HAVE TO PICK?</u></b></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">In the past, the answer would absolutely be yes. To an extent, the answer is still yes. Though there has been increased crossover between the film and television worlds, generally they are still separate ecosystems.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Along those lines, if you know you would like to work in film, it's helpful to focus your energy in that direction early on. Same for TV, though some would argue it's easier to go from film to TV than TV to film.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">A general rule is that in major studio features you will make more money and individual projects will go on longer (sometimes for years). The hours will be long and the overtime pay will be plentiful. You will also wait much longer (1-20 years) to move up from Assistant to Editor. </span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">On the flipside, in TV the work is said to be steadier and it may take less time to move up. Sometimes people who work in features will go for long periods of time without work. However the same thing can happen in television, and in this industry in general, depending on your ability to network and how good you are at your job, and, of course, your luck.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><b>All that said, the gap between the two worlds has narrowed in recent years and I know a number of people who bounce between film and TV as Assistants.</b> It's just helpful to be aware.</span><br />
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<b style="font-family: "trebuchet ms", sans-serif;"><span style="font-size: x-large;"><a href="https://www.blogger.com/null" name="2b"></a><u>SHOULD I GO TO FILM SCHOOL?</u></span></b><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">I didn't go to film school, but I know a lot of people who did, and it benefited them greatly. Besides instruction, you are paying for an incredible networking opportunity. Networking, as well as raw talent (and money), is the lifeblood of this industry.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">If I could go back in time, I would strongly consider applying. However, I also really like that I don't have any student debt and am currently employed in the industry in a competitive job market. I'm making it work. </span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Here are some LA-based film schools if you're interested in applying:</span><br />
<ul>
<li><a href="http://www.afi.com/Conservatory/"><span style="font-family: "trebuchet ms" , sans-serif;">American Film Institute (AFI)</span></a></li>
<li><a href="https://cinema.usc.edu/"><span style="font-family: "trebuchet ms" , sans-serif;">University of Southern California (USC)</span></a></li>
<li><a href="http://www.tft.ucla.edu/"><span style="font-family: "trebuchet ms" , sans-serif;">University of California Los Angeles (UCLA)</span></a></li>
<li><a href="https://www.chapman.edu/dodge/"><span style="font-family: "trebuchet ms" , sans-serif;">Chapman University</span></a></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://learn.lafilm.edu/">Los Angeles Film School</a></span></li>
</ul>
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: x-large;"><a href="https://www.blogger.com/null" name="3"></a><b><u>WHERE TO START</u></b></span><br />
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<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="4"></a>LEARN AVID</span></b><br />
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First thing's first: <b>learn Avid</b>. No way around this.</span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://lynda.com/">Lynda.com</a> provides tutorials for all versions of Avid and signing up is a relatively cheap monthly investment. They do a great job of getting you oriented in the software and comfortable with the Avid mindset. You will not learn all of the skills necessary for an assistant, but much of that knowledge will come on the job.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://connect.avid.com/media-composer-trial.html" target="_blank">Avid Media Composer 30-Day Free Trial</a> - Download a 30-day free trial of Avid! No excuses!</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.avid.com/media-composer-first">Avid Media Composer First</a> (A free, limited-feature version of Avid)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://moviola.com/">Moviola.com</a> - Moviola offers courses in Avid Media Composer. They offer both live and online courses.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.videosymphony.com/">Academy of Media Professionals (formerly VideoSymphony.com)</a> - Academy of Media Professionals is the successor to the now defunct Video Symphony. It offers courses in a number of different subjects, including Avid. </span></li>
</ul>
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<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="5"></a>BUT WHY AVID?</span></b><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Because every major network television show and film, at least 90% of them, use this software.</span><br />
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<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="6"></a>BUT... AVID IS WEIRD AND CLUNKY AND I LIKE FCP AND PREMIERE</span></b><br />
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b>
<span style="font-family: "trebuchet ms" , sans-serif;">As of the writing of this document, Avid and their Unity (old)/ISIS (new)/NEXIS (newest) networked storage setup are the best option for collaborating on a project, period. Avid uses a system of bins that allows many assistants and editors to be working within the same project and accessing media at the same time. As of the writing of this post, you cannot do this reliably in any other piece of software (though Adobe has been working on project collaboration and recently announced compatibility with ISIS).</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">The other struggle you will find is that Avid is entrenched in this industry. All the editors you work with will use it and they will resist learning another piece of software (Premiere or otherwise) until they absolutely have to.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">That said, once you learn it, Avid is really great. I started on Final Cut Pro and resisted for many years learning Avid. I have used Premiere and FCPX as well. From my open-minded experience, there is nothing out there as consistent and reliable as Avid Media Composer.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">I'll also say: use the right tool for the job. I have found that for short form content both FCPX and Premiere have been great. Whatever works to suit your post-production needs is what you should use.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="7"></a><b>SHOULD I START AS A POST PA (POST-PRODUCTION ASSISTANT)?</b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Just about everyone in this industry starts as a Production Assistant in some form or another. Though the job of a PA will not be glamorous, it can be the entry point to a job as an Assistant Editor and great for networking. Once you've acquired the Avid skills and hours for the Union, these early Post PA jobs can be invaluable for transitioning into Assisting using the contacts you've made.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span><span style="font-family: "trebuchet ms" , sans-serif;">When I was a Post PA, I used to pick up footage (dailies) at a nearby post facility and I would meet other PAs and get to know the staff. I am still friends with and have worked with many of those people to this day.</span><br />
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<b style="font-family: "Trebuchet MS", sans-serif;"><a href="https://www.blogger.com/null" name="8"></a>BUY THESE BOOKS</b><br />
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<ul>
<li><a href="https://www.amazon.com/Make-Cut-Becoming-Successful-Assistant/dp/0240813987" style="font-family: "Trebuchet MS", sans-serif;" target="_blank">Make The Cut by Lori Jane Coleman, A.C.E. and Diana Friedberg, A.C.E. </a><span style="font-family: "trebuchet ms" , sans-serif;">- This book will explain to you the day-to-day tasks of an Assistant Editor and how you can best prepare to become an editor. This is essential reading.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.routledge.com/products/9781138691339" target="_blank">Jump Cut by Lori Jane Coleman, A.C.E. and Diana Friedberg, A.C.E.</a> - Also essential reading.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.amazon.com/Avid-Assistant-Editors-Handbook/dp/0615487750/ref=sr_1_1?ie=UTF8&qid=1468951393&sr=8-1&keywords=assistant+editors+handbook" target="_blank">The Assistant Editor's Handbook</a> - Optional, but this is a good resource to be aware of.</span></li>
</ul>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="9"></a>APPLY TO THE A.C.E. INTERNSHIP</span></b><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">There is a $100 application fee to apply to this internship program but it is some of the wisest money you'll spend starting out in Los Angeles.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If you're picked as an intern, you are given a guided tour of a Reality TV show, Scripted TV show and Narrative Film project where you sit with and learn from the assistants and editors. It is invaluable as a starting point. It helps to have very little experience and to be fresh out of either college or film school. You can find more about the program below:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<a href="https://americancinemaeditors.org/ace-internship-how-it-works/"><span style="font-family: "trebuchet ms" , sans-serif;">https://americancinemaeditors.org/ace-internship-how-it-works/</span></a><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>Even if you have some work experience in the business it is worth it to apply simply for the lecture series, which features some incredible panel speakers. </b>All applicants are invited to attend. </span><br />
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<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="10"></a>GET YOUR FIRST JOB (IN REALITY OR OTHERWISE)</span></b><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">There are a number of online resources out there for securing your first job. Here are a few:</span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://staffmeup.com/" style="font-family: "trebuchet ms", sans-serif;">Staffmeup.com</a><span style="font-family: "trebuchet ms" , sans-serif;"> - </span></span><span style="font-family: "trebuchet ms" , sans-serif;">Populated mostly by professional, paid (generally) non-union jobs</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://media-match.com/">Media-match.com</a> - Reality, documentary and short form projects</span></li>
<ul>
</ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.entertainmentcareers.net/">Entertainmentcareers.net</a> </span><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">- </span>Another popular site for paid non-union jobs</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://greenlightjobs.com/">Greenlightjobs.com</a> - Job listings as well as career advice</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://mandy.com/" style="font-family: "trebuchet ms", sans-serif;">Mandy.com</a><span style="font-family: "trebuchet ms" , sans-serif;"> - </span></span><span style="font-family: "trebuchet ms" , sans-serif;">Mandy.com is a mixed bag, some normal pay productions and many unpaid/low/student gigs.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://productionhub.com/" style="font-family: "trebuchet ms", sans-serif;">Productionhub.com</a><span style="font-family: "trebuchet ms" , sans-serif;"> - </span></span><span style="font-family: "trebuchet ms" , sans-serif;">I personally don't have as much experience with this site but I figured I'd list it in case it could be of value to try.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://craigslist.org/" style="font-family: "trebuchet ms", sans-serif;">Craigslist.org</a><span style="font-family: "trebuchet ms" , sans-serif;"> - </span></span><span style="font-family: "trebuchet ms" , sans-serif;">Craigslist is a mixed bag but if you're looking for experience and aren't as concerned with compensation you may find something to build your resume with.</span></li>
</ul>
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</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">I also see many jobs posted to forums on Facebook. Some of them are private and not searchable. Here are a few examples:</span><br />
<ul>
<li><a href="https://www.facebook.com/groups/224655257662048/" target="_blank"><span style="font-family: "trebuchet ms" , sans-serif;">I NEED AN ASSISTANT EDITOR! (Facebook group)</span></a></li>
<li><a href="https://www.facebook.com/groups/PostSuperCoordinatorPA/" target="_blank"><span style="font-family: "trebuchet ms" , sans-serif;">I NEED A POST SUPERVISOR/COORDINATOR/AE/PA (Facebook group)</span></a></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.facebook.com/groups/needaneditor/" target="_blank">I NEED AN EDITOR</a><a href="https://www.facebook.com/groups/needaneditor/" target="_blank"> (Facebook group)</a></span></li>
</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Generally these sites and resources will be Reality TV/Non-Union centric. All of my scripted jobs I have found through friends and acquaintances. Occasionally, though, you will see an indie feature looking for an Assistant Editor, Editor or PA.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">You can also contact Reality TV companies directly.</span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="11"></a>REALITY/VARIETY TV SPECIFIC RESOURCES TO HELP YOU LAND YOUR FIRST JOB</span></b><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Learn how to Multi-Group</b> (this is the process of creating a large group clip with multiple cameras in Avid. It is absolutely essential in Reality TV.) I have written a tutorial that teaches you this process: <a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html">LINK</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://moviola.com/">Moviola.com</a> - Moviola offers courses in Avid Media Composer. They offer both live and online courses.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.videosymphony.com/">Academy of Media Professionals (formerly VideoSymphony.com)</a> - Academy of Media Professionals is the successor to the now defunct Video Symphony. It offers courses in a number of different subjects, including Avid.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://assistbootcamp.squarespace.com/">The Assistant Editor's Bootcamp</a> - Hands on experience with real reality TV workflows which will also help get your technical knowledge up to par for scripted TV/Film. The guys who run this are personal friends and are really amazing resources.</span></li>
</ul>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="12"></a>SHOULD I JOIN THE UNION (YES, EVENTUALLY)</span></b><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Should you join the Union? Yes, yes you should. <b>But ideally only once you have secured your first Union job.</b> I say this mostly as a financial warning, as you will be paying quarterly dues and a relatively costly initiation fee as a member that you may not want to incur before being gainfully employed. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Why should you join the Union? Just a few of the many reasons:</span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>95% of scripted shows are Union.</b> This is just a reality. Just about every narrative scripted show/feature is Union.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Base-level wages.</b> My weekly rate will go no lower than $1922.80 as an Assistant Editor with the Majors Post Production Contract (there are other contracts with lower negotiated amounts, but generally anything broadcast that is the starting salary). You can see all the wages/contracts here: <a href="https://www.editorsguild.com/Wages-and-Contracts" target="_blank">LINK</a></span></li>
<li><b><span style="font-family: "trebuchet ms" , sans-serif;">Great healthcare</span></b></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>A pension</b> (in our industry, this type of financial security is extremely rare)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Protection. </b>If your show is violating Union contract in any way, the Union enforces its contracts and protects its membership. You will find that Non-Union work can be exploitative, avoiding overtime payments and other benefits afforded to Union members. These same things can happen in union work, but there is a least an apparatus to deal with it directly when it does occur.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Events/Mixers.</b> The Guild hosts screenings of major releases and monthly mixers where you can meet and network with other members. </span></li>
</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Following up on that last bullet point, a membership with the guild will give you access to their networking and social events, which can be invaluable. However, I will also say, if you have a friend who is Union, you can get into most Guild events as their guest. :)</span><br />
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="13"></a>HOW TO JOIN THE UNION - <a href="https://www.editorsguild.com/">WEBSITE</a></span></b><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b>
Many people have expressed confusion with the requirements to join the Union. Though I won't type out all of the steps here, I will paint the (very) broad strokes of how to join as an Assistant Editor:</span><br />
<ol>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Work 100 days of non-union work</b> (Paid at least minimum wage on a project that had some kind of theatrical distribution, festival showing, or television broadcast)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Get your paperwork in order for CSATF</b> (Contract Services Administrative Trust Fund) and get on the Industry Experience Roster.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><b>Join the Union</b>.</span></li>
</ol>
<div>
<span style="font-family: "trebuchet ms" , sans-serif;">You can find the requirements and specifics here: <a href="https://www.editorsguild.com/Join/Join-West-Coast">https://www.editorsguild.com/Join/Join-West-Coast</a></span></div>
<div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div>
<span style="font-family: "trebuchet ms" , sans-serif;">I'll warn you, it can be confusing. But think of it as testing your mettle, proving how interested you are in being a Union Editor or Assistant Editor. You can always call the offices and try to get direct answers from a human being as well. In my experience they were helpful.</span></div>
<div>
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<div>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="14"></a>THE INDUSTRY EXPERIENCE ROSTER</span></b></div>
<div>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b></div>
<div>
<span style="font-family: "trebuchet ms" , sans-serif;">You will want to fulfill the requirements for the Union before actually joining. <b>Again, you will generally not want to join the union before landing a union job, as the quarterly dues and initiation fee can be costly. </b>This is what the <a href="https://www.csatf.org/ier.shtml" target="_blank">Industry Experience Roster</a> is for. It signifies that you have fulfilled the requirements to join the union and are eligible, enabling you to join when you're good and ready.</span><br />
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<b style="font-family: "Trebuchet MS", sans-serif;"><br /></b>
<b style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-large;"><a href="https://www.blogger.com/null" name="14a"></a><u>NETWORKING</u></span></b><br />
<b style="font-family: "Trebuchet MS", sans-serif;"><b style="font-family: "Trebuchet MS", sans-serif;"><br /></b></b>
<b style="font-family: "Trebuchet MS", sans-serif;"><b style="font-family: "Trebuchet MS", sans-serif;">NETWORKING RESOURCES</b></b></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b>
There are a number of "user groups" that are post-production centric and meet in Los Angeles. They are all open to the public. They often feature panels and special guests and can be a great source of networking. <b>I cannot stress to you enough the importance of networking.</b> Most, if not all, of my jobs have come either directly or indirectly as a result of networking at these types of events.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Here is a list of the most popular monthly user groups:</span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.lafcpug.org/" target="_blank">LACPUG</a> (Los Angeles Creative Pro User Group)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://lappg.com/" target="_blank">LAPPG</a> (Los Angeles Post Production Group)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.editorslounge.com/" target="_blank">The Editor's Lounge</a> (BYOB... seriously)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://www.bluecollarpostcollective.com/">The Blue Collar Post Collective</a>, with meetups on both the East/West coast (<a href="https://www.facebook.com/groups/BCPANY/?hc_location=ufi">Facebook</a>)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;">The Assistant Editors in LA Meetup, add yourself to the group to receive meetup invites (<a href="https://www.facebook.com/groups/assistsla/">https://www.facebook.com/groups/assistsla/</a>) </span></li>
</ul>
<b><span style="font-family: "trebuchet ms" , sans-serif;">ONLINE USER FORUMS</span></b><br />
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b>
<span style="font-family: "trebuchet ms" , sans-serif;">You'll find once you start working that you will rely on the collective knowledge of your colleagues to solve the numerous technical problems you will encounter. Here are a few forums that you may find helpful:</span><br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.facebook.com/groups/assistant.editors/">Assistant Editors Forum (Facebook)</a></span></li>
<li><a href="https://www.facebook.com/groups/reachmembers/"><span style="font-family: "trebuchet ms" , sans-serif;">Reality Editors and Assistants in California For Healthcare (Facebook)</span></a></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.facebook.com/groups/2244549459/">The Avid Editors of Facebook</a> - You may not be able to join this group until you've landed your first job. See their group description.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.reddit.com/r/assistanteditors/">r/AssistantEditors</a> - A subreddit just for Assistant Editing related topics</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.reddit.com/r/editors/">r/Editors</a> - A subreddit just for Editing related topics</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://creativecow.net/">CreativeCow.net</a></span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://community.avid.com/forums/">Avid Community Forums</a></span></li>
</ul>
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b>If anyone knows of any other relevant Reddit or forum links, let me know.</b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="16"></a><b>AMERICAN CINEMA EDITORS (A.C.E.) - <a href="http://www.americancinemaeditors.org/" target="_blank">WEBSITE</a></b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">You may have seen the three letters following the names of editors on large and prestigious film and TV projects. That acronym stands for American Cinema Editors, which is an organization whose stated purpose is (from their website):</span><br />
<blockquote class="tr_bq">
<span style="font-family: "trebuchet ms" , sans-serif;">"To advance the art and science of the film editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of film editing; to bring into close alliance those film editors who desire to advance the prestige and dignity of the film editing profession."</span></blockquote>
<span style="font-family: "trebuchet ms" , sans-serif;">Beyond that, they are the responsible for a number of events the public can attend:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/editfest-los-angeles/" target="_blank"><br /></a></span>
<br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/editfest-los-angeles/" target="_blank">EditFest Los Angeles</a> - A day long event with panelists from multiple genres.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/editfest-london/" target="_blank">EditFest London</a> - Same as EditFest LA, just in London :)</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/eddie-awards/" target="_blank">The Eddie Awards</a> - This awards show is the "Oscars" of editing. The public can buy tickets.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/events/ace-holiday-party-tickets/">A.C.E. Holiday Party </a>- You can buy tickets to A.C.E.'s annual Holiday Party, where you will see new members inducted into the organization and can enjoy mingling with colleagues and membership.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://americancinemaeditors.org/for-students/" target="_blank">Student Fellowships/Awards</a> - There are a number of fellowships for students that A.C.E. offers. If I had known about these in college I absolutely would have applied to any/all of them!</span></li>
</ul>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="17"></a><br class="Apple-interchange-newline" />SHADOW A SCRIPTED ASSISTANT EDITOR</span></b><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">With all of the networking you've been doing, you will more than likely cross paths with a working scripted Assistant Editor. If you strike up a friendship, it's more than likely that they would be willing to let you shadow them at their job. This is an amazing opportunity as it allows you to meet the rest of the editorial staff and introduce yourself. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Beyond that, you will get an inside look at the day-to-day tasks of an Assistant. Some people list that they've shadowed on their resume, which can be helpful in landing that first scripted job. <b>Make sure when you visit the editing room you bring donuts... because donuts are a way to make everyone think you are instantly awesome</b> (advice c/o </span><a href="https://www.amazon.com/Make-Cut-Becoming-Successful-Assistant/dp/0240813987" style="font-family: "Trebuchet MS", sans-serif;" target="_blank">Make The Cut by Lori Jane Coleman, A.C.E. and Diana Friedberg, A.C.E.</a><span style="font-family: "trebuchet ms" , sans-serif;"> - If you haven't already bought this, do it now!)</span>.<br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<b><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="18"></a>CONTACT YOUR FAVORITE EDITORS</span></b><br />
<b><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></b><span style="font-family: "trebuchet ms" , sans-serif;">Once you are eligible for the Guild, another great strategy is to research your favorite editors and write them a letter. Compliment specific things you liked and appreciated about their work and invite them to coffee. I know multiple people who this has worked out amazingly well for. <b>If you send your letter to the Editor's Guild (<a href="https://www.editorsguild.com/Contact">LINK</a>), they will forward your message on to the member you're trying to reach.</b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif; font-size: x-large;"><a href="https://www.blogger.com/null" name="18a"></a><b><u>TECH RESOURCES FOR WHEN YOU'RE A SCRIPTED ASSIST</u></b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b></span>
<span style="font-family: "trebuchet ms" , sans-serif;">I'm still building out this list with links, feel free to contact me with other suggestions:</span><br />
<br />
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.evanschiff.com/bd/">Evan Schiff's website</a> - Evan is a very talented working editor. His website has some really incredible tools available for Assistant Editors & Editors.</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif;"><a href="http://24p.com/wordpress/">24p Blog</a> - Michael Phillips blog features incredibly in depth technical tutorials and posts.</span></li>
</ul>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif; font-size: x-large;"><a href="https://www.blogger.com/null" name="19"></a><u><b>CONCLUSION</b></u></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">This is a post that I intend to update with as much new information as possible as often as possible. If you have anything you think I missed or should add, please feel free to contact me through the contact form at the top of this page.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Thanks so much for reading and I hope this was helpful to you! Good luck!</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
</div>
Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com9tag:blogger.com,1999:blog-6334823770722270981.post-68635041323311465652016-04-14T22:13:00.001-07:002017-07-26T12:04:46.694-07:00How to Build an Animatronic Talking Dog<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi36lJH4tL4lHfsTADvhAsD_3cU9zQle_LveP14ouY6xRgf0l8dCl5q2WXDVUgKmmg1R9P6c0xwMMAxAv2RoB2ixp2KupCe3dSVKDtL7JiaSJoGurz-NKXpuNaSUYXmm_pfbSjXWpNFfy8/s1600/The-Neverending-Story-movie-poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi36lJH4tL4lHfsTADvhAsD_3cU9zQle_LveP14ouY6xRgf0l8dCl5q2WXDVUgKmmg1R9P6c0xwMMAxAv2RoB2ixp2KupCe3dSVKDtL7JiaSJoGurz-NKXpuNaSUYXmm_pfbSjXWpNFfy8/s320/The-Neverending-Story-movie-poster.jpg" width="213" /></a><br />
<span style="font-family: "trebuchet ms" , sans-serif;">This post is one in a series of (I hope) many where I outline the creative process and choices behind the short film Limbo, starring Raul Castillo and Sam Elliott.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">This entry goes into detail about the animatronic, wish-granting dog voiced by Sam Elliott, which could have been played by a live dog. So...</span><br />
<h3>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></h3>
<div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<h3>
<span style="font-family: "trebuchet ms" , sans-serif;">Why An Animatronic Puppet?</span></h3>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">If you grew up in the 80s like I did, then you know exactly (or mostly) why!</span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">But if not, let me break it down.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Before the age of CGI, classic films such as Labyrinth and The NeverEnding Story used practical special effects and puppetry to tell their stories. Though the audience was aware that the characters were puppets, you accepted them as living breathing creatures and there was a simple charm and magic to their physical presence captured on film. These days, though CGI has become incredibly advanced, I still find myself drawn to practical special effects over digital, especially when it comes to monsters and fantastical creatures. There is something more tactile and "real" about their presence on camera.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Part of what initially got me excited about adapting the comic was the interaction between the main character and the wish-granting dog-- very early on I knew I wanted to recall a classic special effects aesthetic to help accentuate the fantasy of the story. Beyond the aesthetics, though, there would be a number of practical benefits as well. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimAlf4umjD6vcaTDFyKyrh_WMfCIV8j4LjzVqkDl7CM1PXkjDBzVlVABYruUdEN35XIfaA_CYBD44N-S4skOlXo1s-M8Xyg6YL2AiixqZDy9RytP6pVilxdWI_qat694MVsXVmK-utWmA/s1600/never-ending-story.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimAlf4umjD6vcaTDFyKyrh_WMfCIV8j4LjzVqkDl7CM1PXkjDBzVlVABYruUdEN35XIfaA_CYBD44N-S4skOlXo1s-M8Xyg6YL2AiixqZDy9RytP6pVilxdWI_qat694MVsXVmK-utWmA/s400/never-ending-story.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: x-small;">Atreyu talks to his Luck Dragon companion in The NeverEnding Story</span></td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">For one, the actor would have something physical and present to act against. Many times in CGI-heavy films, actors are forced to perform with tennis balls or other random objects. Consequently, their performance (and the film) suffers. Additionally, with a puppet we would have full control over every nuance of the dog's performance; no need for a handler or applying make-up to a
live creature. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">The thought of using animatronics on Limbo was a lark-- but the more I thought about it, the more self-evident it became, the more excited I was to make it happen.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">The only problem: I had no idea how to do it. I don’t
possess any of the skills necessary to create realistic-looking 80s throwback
fantasy creatures and I don’t know anyone who does.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Enter Mike Honeck, my friend and roommate, who is an Imagineer
at Disney Studios and erstwhile puppeteer. I mentioned my initial plan to him and he
took an interest in helping spearhead the effort to find a designer.<o:p></o:p></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh7Lo_J-QfSqwq3t816mCujyLGLgszKfPNZ5F7Z0j_mi8QPTh91a_Tq39T9xsaUq56V-CoqT_aDrn93Kg8pk0GH7wykVD_-N9_VONAfCP2AlKW7IAnNuokLAEhkqx4iYGvsaMgCM20lgY/s1600/1462538_10153270858991682_742591375409068421_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh7Lo_J-QfSqwq3t816mCujyLGLgszKfPNZ5F7Z0j_mi8QPTh91a_Tq39T9xsaUq56V-CoqT_aDrn93Kg8pk0GH7wykVD_-N9_VONAfCP2AlKW7IAnNuokLAEhkqx4iYGvsaMgCM20lgY/s320/1462538_10153270858991682_742591375409068421_o.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;">Pictured on the wall: Mike Honeck</span></td></tr>
</tbody></table>
</div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">The first step for us was discussing about what the dog should
look like and how it should behave. We determined that our
initial budget was going to be between $2,500 and $5,000. After reviewing the script, we decided the puppet should have the following features:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -.25in;">
</div>
<ul>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Fully controllable eyeballs/eyelids</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Lip curling/snarling</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Controllable tongue</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Moveable head</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Breathing rib cage</span></li>
<li><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;"><span style="font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "trebuchet ms" , sans-serif; text-indent: -0.25in;">Moveable legs</span></li>
</ul>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Using <a href="http://variety411.com/us/los-angeles/" target="_blank">LA411</a> (essentially the Yellow Pages of the film
world), we researched a wide variety of companies including ones that looked to
be well above our budget level. We contacted those high-end companies first in hopes
that maybe someone would connect with our story and be willing to work within
our budgetary restraints. We received incredulous but polite responses. To do what was
described in our design packet (<a href="https://dl.dropboxusercontent.com/u/46592759/Dog%20Design%20Packet%20FINAL.pdf" target="_blank">LINK HERE</a>), they said we would need a budget
between $35,000 and $150,000.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">It was incredibly tough to hear those numbers. I felt like I was way out of my depth. At the time, the budget of the entire
short was roughly $10,000. Even the low end quotes of $35,000 were astronomical.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">We began to scale back our expectations of what could be
done-- which was painful. No one wants to compromise; I certainly didn’t, not that early in the game. We
contacted companies that did simple animatronics for museums and explored
options of renting existing puppets. Unfortunately, the compromises on that front were so significant as to be prohibitive. I had no idea where to turn next.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">A composer friend of mine, Greg Nicolett, recommended that I
contact a special effects artist named Tim Martin who had worked on a low
budget sci-fi film he composed for. Tim had designed space suits in the film in addition to having fabricated many of the sets. I had seen the
film and remembered thinking the suits and the set design were impressive.
Because my options were limited and time was running out, I decided to contact Tim
in the hopes that he, or someone he knew, might be able to help.<o:p></o:p></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrFKulDYHkCJziw1gatkkjGMs96bl4huFao60LQz_7u-Uz0vuXsqHlUJTe54Kold_aryhFi1Z8YOmIR8dtV2K6INNARmKv8Xab5iyO_bDvbVNG_cMGnd3GKWF1gcbzPkejvwYA6TnSG2o/s1600/hellboy-2-golden-army-abe-sapien.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrFKulDYHkCJziw1gatkkjGMs96bl4huFao60LQz_7u-Uz0vuXsqHlUJTe54Kold_aryhFi1Z8YOmIR8dtV2K6INNARmKv8Xab5iyO_bDvbVNG_cMGnd3GKWF1gcbzPkejvwYA6TnSG2o/s400/hellboy-2-golden-army-abe-sapien.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;">What does this image have to do with our little indie comic short film? You'll find out soon enough...</span></td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">To my surprise, when I called and pitched him on the project he was
immediately receptive. And, as it turns out, he worked at one of the most
revered special effects houses in Los Angeles, Amalgamated Dynamics Inc., and had an
impressive resume that included the X-Men films and Hellboy 2 among many, many
others. At the time he was looking for a challenge, something that he could use
to expand his skill set and also make some money on the side. We had adjusted our
budget figure to $8,000 (still not industry standard, but the most that I could
afford). I cringed when I told him the number. But, he did the unexpected:
he said yes. I was so unbelievably surprised and relieved. We met for dinner, I handed him a down payment and he was off. We had two and a half months with
the clock ticking to get the dog ready for our shoot date. The next step was agreeing upon the design.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<o:p><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></o:p></div>
<h3>
<span style="font-family: "trebuchet ms" , sans-serif;">Designing the Beast</span></h3>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">When discussing the look of the dog, I felt it was important
that it strike a balance between realism and fantasy. My initial conversations
with Tim were that the dog can be macabre (emaciated, sickly, pus-encrusted)
but should not appear to be a zombie; it shouldn’t ever slide into full horror.
It was also important to me that the fantasy of the creature be felt but that it also seem grounded enough that when it speaks with Raul it doesn’t feel silly. Tim was
immediately on board to tackle that challenge.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">For inspiration, I gave him some pictures from the comic.
Mike and I had decided the dog was somewhere between a Setter and an Australian
Shepherd:</span><o:p></o:p><br />
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<br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Once we had agreed on the breed, it was time to start
creating a mock-up. Tim and I both worked full time jobs so most of our collaboration
was over the phone, either via text or calling. First we had to roughly
determine the size. He sent me a picture with a water bottle and ruler for
scale:</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">It came out to about 3.5 feet x 2.5 ft in length, but to be
sure that all of the dog’s features would register on camera, I asked him to
make the mock-up closer to 4.5 feet wide and scale everything else up accordingly.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The next step was for him to carve out the body in foam core, leaving interior space for a plastic bladder that would inflate to simulate the dog’s breath.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The sizing now felt right to me so the next step was for Tim
to begin sculpting the dog’s facial features and head out of clay. These are some photos leading up to his
initial sculpt:<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Though I liked his initial sculpture, I felt like the nose was
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order to best communicate changes I drew on the photos he sent:<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">In response, I drew:<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">I indicated that I wanted the eye to be lower on the head, so
to verify that the positioning was OK, he sent me this photo, which I approved:<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Which then became the below image. He warned me that it
might look strange without the ears, but he needed to remove them in order to
properly make the mold. <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Yielded these latex masks that would stretch over the 3D
printed bones of the dog’s facial structure:</span><o:p></o:p></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Tim is a sculptor by trade and with special effects puppetry
such as this it is normal to have multiple people from separate disciplines
collaborate. We were lucky that Tim brought on Dave Penikas, who is known for
his animatronics work on classic films such as Gremlins 2 and Alien vs.
Predator among many, many others, to create the moving parts of the dog.</span></div>
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<h2>
<span style="font-family: "trebuchet ms" , sans-serif; font-size: x-large;">Animatronics</span></h2>
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<span style="font-family: "trebuchet ms" , sans-serif;">Using a 3D printer and design software Dave printed
a skull that fit the proportions of Tim’s sculpture and latex mask (the eyes
are temporary mock-ups):</span><!--EndFragment-->
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<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Now that the head was partially constructed we began
discussing what the eyes should look like. I decided I wanted the dog to have
piercing blue human eyes— I felt human eyes would add a surreal quality that hinted at the entity beneath the surface.
This is what Tim sent back:</span><o:p></o:p></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYMpVqOK-qq_akud5BBywyLffSbcLTmbhAgCjEV6RiTU6tdYMG5tlphY7-Fnnjd3xR8nJd1yfwoYZzXbVKi3nurZi3jTC1L79V0WWNx1rJIRB5MzmxJvXq8314uTyXMcEtS4r3ENGbNG0/s1600/IMG_3798.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYMpVqOK-qq_akud5BBywyLffSbcLTmbhAgCjEV6RiTU6tdYMG5tlphY7-Fnnjd3xR8nJd1yfwoYZzXbVKi3nurZi3jTC1L79V0WWNx1rJIRB5MzmxJvXq8314uTyXMcEtS4r3ENGbNG0/s400/IMG_3798.JPG" width="400" /></a></div>
<br />
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<span style="font-family: "trebuchet ms" , sans-serif;">The eyes were hand painted by Tim. I was really happy with
them, so he plugged them into the rough animatronic assembly that they created,
and he sent this video:<o:p></o:p></span></div>
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<br /></div>
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/162234098?byline=0&portrait=0" webkitallowfullscreen="" width="640"></iframe></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">I was incredibly excited when I saw this—and to be clear,
many steps of this process I couldn’t actually believe this was happening.
Quite literally, creating a puppet like this this was a dream come true.
The next step was for Mike and I to come into the ADI workshop to see the
animatronics in person and approve them. Here’s a video of that visit:<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">There were two bike brake levers that operated the jaw and
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<span style="font-family: "trebuchet ms" , sans-serif;">The next step for Tim was placing skin over the entire dog.
Alejandro Wilkins (our DP) and I returned to ADI to take some video and test
out some of the shots we had in mind:</span><o:p></o:p></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Full disclosure, in seeing the dog in this state, partially
airbrushed and purple looking, I was genuinely concerned. The dog looked much
more cartoonish than I would have liked. We were only a week away from our
shoot date but Tim reassured me that it was still in process. I took him at his
word and we moved forward.<o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The next step was fur flocking, which is grafting individual
sections of hairs (and sometimes individual hairs) to the skin on the dog. It’s
an extremely time-consuming process. These are pictures he sent as he progressed:</span></div>
<br />
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<span style="font-family: "trebuchet ms" , sans-serif;">I’ll be honest—at this point I was still nervous. But Tim
had yet to airbrush (paint) and trim the dog’s fur so I staid my nervousness.
He invited me to come into the shop for a last look and changes before our
shoot day.</span><span style="mso-fareast-language: EN-US; mso-no-proof: yes;"><span style="font-family: "trebuchet ms" , sans-serif;"> <span style="mso-spacerun: yes;"> </span>I took this video below:</span><o:p></o:p></span></div>
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<br /></div>
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<span style="mso-fareast-language: EN-US; mso-no-proof: yes;"><span style="font-family: "trebuchet ms" , sans-serif;">Here
are some pictures of the 95% complete dog:</span><o:p></o:p></span></div>
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<span style="mso-fareast-language: EN-US; mso-no-proof: yes;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6X1zZgt3SnLVHEmIar4ejeHARgSHJj3PO7OMKyOomG1TfeChnDZbr-aTd26hdPmZXUBjFvKX0l7sLCKw5pIPMjXzkXwTwJMLNYzUjqz-wK0aO_1dxFscpQlnj04HuGnN1R2dIFgqzT7Y/s1600/IMG_3170.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6X1zZgt3SnLVHEmIar4ejeHARgSHJj3PO7OMKyOomG1TfeChnDZbr-aTd26hdPmZXUBjFvKX0l7sLCKw5pIPMjXzkXwTwJMLNYzUjqz-wK0aO_1dxFscpQlnj04HuGnN1R2dIFgqzT7Y/s400/IMG_3170.JPG" width="400" /></a></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCuvs888UWqZgoNnlsXVVuZzo6X_LlCw0qk063NrjRoSVYKOA-FG0tUAlhFU46MDX9E6kT1ooJE-87wku3fkWELA-D6ocUAbk39VFsPfYmkZGVn2dTQI9-6xtTuFMJkvmncIzqi_or_YI/s1600/IMG_9701.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCuvs888UWqZgoNnlsXVVuZzo6X_LlCw0qk063NrjRoSVYKOA-FG0tUAlhFU46MDX9E6kT1ooJE-87wku3fkWELA-D6ocUAbk39VFsPfYmkZGVn2dTQI9-6xtTuFMJkvmncIzqi_or_YI/s400/IMG_9701.JPG" width="300" /></a></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqupwTOQf1-e3rRqAI7CYEr8rnLkO__5ZZcRmGRCn9u7wotx6edt5q8rwVzhoS7mpO2CaaGZAkYToWFGp6yg00UYF7fU8tCxiTBGoTPEZYwD6DhhyphenhyphenLJMQc7wo54-ioIBDX8hMZ3sEa6bw/s1600/IMG_9704.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqupwTOQf1-e3rRqAI7CYEr8rnLkO__5ZZcRmGRCn9u7wotx6edt5q8rwVzhoS7mpO2CaaGZAkYToWFGp6yg00UYF7fU8tCxiTBGoTPEZYwD6DhhyphenhyphenLJMQc7wo54-ioIBDX8hMZ3sEa6bw/s400/IMG_9704.JPG" width="400" /></a></div>
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<span style="mso-fareast-language: EN-US; mso-no-proof: yes;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Seeing the dog in action, fully designed and performing, was
surreal. I was incredibly happy with Tim’s work, to the point where he had to
tell me to stop hugging him. The expressiveness of the puppet was more than I
ever could have hoped for and the artistry that went into the final puppet,
especially working within the restraints of our budget, was simply unreal. <o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;">Here are some shots of the dog from the finished piece:</span><o:p></o:p></div>
<div class="MsoNormal">
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinLY1hdY5QIFIXy4Zz4kmcsgl8PKnToZlsMp0LlP1DaE6TZ2utP9BOirF0n6rzH5MSMrSNB7bVnp1zJnvUyuOCQjyyooQQNjG9hccKgjLsBJfy-x05xpC8kEUvPGc7Eb2-h-Xroltd1Uc/s1600/Screen+Shot+2016-04-09+at+9.24.44+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinLY1hdY5QIFIXy4Zz4kmcsgl8PKnToZlsMp0LlP1DaE6TZ2utP9BOirF0n6rzH5MSMrSNB7bVnp1zJnvUyuOCQjyyooQQNjG9hccKgjLsBJfy-x05xpC8kEUvPGc7Eb2-h-Xroltd1Uc/s640/Screen+Shot+2016-04-09+at+9.24.44+PM.png" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeXbotay8fyDYNmI5z5gFa2EQeDmHWEeaPSy49WfoJyQGmuV-FpLMShl9_JAlygOjri3o-G9EWE4HmwzD60VB0eWAdwCFx-_gknSojgYuKhKpr0LnZZAY3ynfaj9vttvmzHpHh3gajL7g/s1600/Screen+Shot+2016-04-09+at+9.24.23+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeXbotay8fyDYNmI5z5gFa2EQeDmHWEeaPSy49WfoJyQGmuV-FpLMShl9_JAlygOjri3o-G9EWE4HmwzD60VB0eWAdwCFx-_gknSojgYuKhKpr0LnZZAY3ynfaj9vttvmzHpHh3gajL7g/s640/Screen+Shot+2016-04-09+at+9.24.23+PM.png" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqb4zM37mcwmMme06Pe7Z671usZfaT3-WmWBRNvAIVDrV2uyf3dQUjrIvgp97iXxb0WSxcUouBWuCq1MrurdUR5gSHCGXB14srBrL0Q9h37kviWCP6vHFaVNXgG5h1-4VCDRAZHxJ7iIg/s1600/Screen+Shot+2016-04-09+at+9.24.58+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqb4zM37mcwmMme06Pe7Z671usZfaT3-WmWBRNvAIVDrV2uyf3dQUjrIvgp97iXxb0WSxcUouBWuCq1MrurdUR5gSHCGXB14srBrL0Q9h37kviWCP6vHFaVNXgG5h1-4VCDRAZHxJ7iIg/s640/Screen+Shot+2016-04-09+at+9.24.58+PM.png" width="640" /></a></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">For a refresher and for comparison, here are some references from the comic:</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL0yYFv4mzWCE8TOxPwmV8508xoC_ixrKQcc_zPBqismQL0FKTbypHpgQ2EcK2k2ioGz56dHnvmKnxv6cj3aP5_s5vi5D7TzRMw9THHGOP6bo7YawxljwqxTp_a7hm0LpKr0oJDg2mGho/s1600/Screen+Shot+2016-01-28+at+6.26.04+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL0yYFv4mzWCE8TOxPwmV8508xoC_ixrKQcc_zPBqismQL0FKTbypHpgQ2EcK2k2ioGz56dHnvmKnxv6cj3aP5_s5vi5D7TzRMw9THHGOP6bo7YawxljwqxTp_a7hm0LpKr0oJDg2mGho/s400/Screen+Shot+2016-01-28+at+6.26.04+PM.png" width="216" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznJi7jTAjzMm-PnKTSNS4XdoebZot4sKHV1Z6F1CDOAJTYBn46dBs4M3CH6131Ko15QgTrkdeCmRveuoGfaiJbQLZCexPru7qJ0HEHyv3mqoiENikAkrnlGXCajLiyIbf9vyR0-yqGI4/s1600/Screen+Shot+2016-01-28+at+6.26.18+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznJi7jTAjzMm-PnKTSNS4XdoebZot4sKHV1Z6F1CDOAJTYBn46dBs4M3CH6131Ko15QgTrkdeCmRveuoGfaiJbQLZCexPru7qJ0HEHyv3mqoiENikAkrnlGXCajLiyIbf9vyR0-yqGI4/s400/Screen+Shot+2016-01-28+at+6.26.18+PM.png" width="348" /></a></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Thanks for reading and if you’d like to know more about Tim
Martin and Dave Penikas, you can find information about them on their IMDb
pages:</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">Tim Martin: <a href="http://www.imdb.com/name/nm1414783/">http://www.imdb.com/name/nm1414783/</a><o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">David Penikas: <a href="http://www.imdb.com/name/nm0671884/">http://www.imdb.com/name/nm0671884/</a><o:p></o:p></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">If you still haven't seen the finished film, you can watch it here:</span></div>
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<span style="font-family: "trebuchet ms", sans-serif;"><br /></span>
<span style="font-family: trebuchet ms, sans-serif;"><iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/208541624" webkitallowfullscreen="" width="640"></iframe></span><br />
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<span style="font-family: trebuchet ms, sans-serif;"><a href="https://vimeo.com/208541624">LIMBO</a> from <a href="https://vimeo.com/willblank">Will Blank</a> on <a href="https://vimeo.com/">Vimeo</a>.</span><br />
<span style="font-family: "trebuchet ms", sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms", sans-serif;">Hope you enjoyed the film as much as we enjoyed making it! Thank you from the bottom of my heart for helping make it a reality!</span></div>
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Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com2tag:blogger.com,1999:blog-6334823770722270981.post-1134893317202287032016-04-09T16:11:00.001-07:002016-11-20T14:17:25.178-08:00Seeing Dinosaurs In Real Life<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUTGaTtH2zmYmmN-NQFPgEgKJKvaYumjkAT3tiFgLfHLfoc9epTcKiHy-8zYGePn_H3zxPv-k8GG0MR3IYJP6BVQ8BrxBek18xgT-KTwdbcd7TaTu-SF5DLoubmp8yjKrMd0ie9hvNAaA/s1600/wizard.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUTGaTtH2zmYmmN-NQFPgEgKJKvaYumjkAT3tiFgLfHLfoc9epTcKiHy-8zYGePn_H3zxPv-k8GG0MR3IYJP6BVQ8BrxBek18xgT-KTwdbcd7TaTu-SF5DLoubmp8yjKrMd0ie9hvNAaA/s320/wizard.jpg" width="216" /></a><span style="font-family: "trebuchet ms" , sans-serif;">As a kid, I was obsessed with two things: dinosaurs and video games.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">When "The Wizard" came out in 1989, it gave every kid the wish fulfillment they so desired: running away from home, discovering you were a secret Nintendo prodigy and dating an attractive, older girl. There are no male children of the 80's who didn't see this movie and have it leave an indelible mark on their psyche.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">On top of all of those amazing things, the end of the movie features the main characters piling into a gigantic dinosaur in the middle of the desert for a moment of familial reconciliation. I remember it being a genuinely touching scene and it has always stuck with me.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><br />There were a couple things I took away from this film. One, that there are Super Mario Brothers 3 game tournaments. Two, that a gigantic, full-sized Apatosaurus sculpture exists in real life somewhere in the deserts of California. And YOU CAN GO INSIDE. I always wanted to visit, but pre-internet, I had no idea how. No IMDb, no Wikipedia. So, it sat in the back of my mind: one day, I'd see them.</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXn2zJa534s7m0gfcCQTdZoq5G0QImtBg0y__n8dyIICwn2eNG8UIwLNv6gUC4039MqlsI_XDVIBzkCJ_gqPdkHPYvyqOzmv1GvNsxqpYk5AeXl0z9QafjTLGE7CQyBgMpHaStwpp1VOw/s1600/cabazon-dinosaurs-california-crazy-3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXn2zJa534s7m0gfcCQTdZoq5G0QImtBg0y__n8dyIICwn2eNG8UIwLNv6gUC4039MqlsI_XDVIBzkCJ_gqPdkHPYvyqOzmv1GvNsxqpYk5AeXl0z9QafjTLGE7CQyBgMpHaStwpp1VOw/s320/cabazon-dinosaurs-california-crazy-3.jpg" width="320" /></span></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">I am in the process of putting together a short film. It takes place in a barren landscape so I've been driving all over Southern California to location scout. I moved to LA with the dream of directing and editing feature films. That was seven and a half years ago. While I have put together small projects, comedy shorts and commercials, I have yet to truly do the thing I set out here to do. In 2011, I hit rock bottom financially. I was steadily sliding into debt. I came out of it, and to condense 7.5 years into one sentence: this is the first project that I've put together at the highest level of quality, both technical and artistic, that I can muster. It is deeply important to me. It represents everything.<br /><br /><br />So anyway, I need to find this billboard in the middle of nowhere and decided I would drive towards the Salton Sea, which is a failed resort town next to a brine lake where fish die and dry out on the shores. I saw many things. Relative wastelands with languidly spinning windmills, dilapidated towns, border stops, Salvation Mountain. On my way back, I saw a sign for a place called Cabazon.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPndVgUes7BBIiKimbMgplIJp0H7G16Fi7Rt4uGWLokmBMf1bBRQb7je-il-Yj1qUDS7erDgAYLpH72GhSBfCxtsRNPiZ2hI2dJXSGCI3Apkw0QVSWxmvzKoV9pLxd843Wd3FRtX8Q0DQ/s1600/IMG_2940.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPndVgUes7BBIiKimbMgplIJp0H7G16Fi7Rt4uGWLokmBMf1bBRQb7je-il-Yj1qUDS7erDgAYLpH72GhSBfCxtsRNPiZ2hI2dJXSGCI3Apkw0QVSWxmvzKoV9pLxd843Wd3FRtX8Q0DQ/s320/IMG_2940.JPG" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: small;">Salvation Mountain</span></td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br />It sounded familiar to me. Then in the distance, I saw towering silhouettes. When I got closer, my eyes got wider, as I realized: this was the spot. These were the dinosaurs I had always dreamed of seeing.<br /><br /><br />I pulled off the freeway exit a little more recklessly than I should have which brought the massive Apatosaurus into full scale. It absolutely dwarfed my car. As I cruised past its massive, tree trunk feet, I caught a glimpse of the T-Rex, standing erect and at full snarl at the other end of the parking lot. I parked and watched people take goofy pictures, hugging the dinosaurs' legs, pretending to run scared.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmYoihL83Bn8KP-eIqwwWPn96-st-zudhPiM0E4N0FMqaOluMmBNI6f1Qa4QAZZcZu4mkdZmtkm_XkvZcxvQ0v7qIOGikv95c6zK415lyS8g_MU88nVMSls-UyviGk8xrU0XWBrO5oro4/s1600/IMG_2947.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmYoihL83Bn8KP-eIqwwWPn96-st-zudhPiM0E4N0FMqaOluMmBNI6f1Qa4QAZZcZu4mkdZmtkm_XkvZcxvQ0v7qIOGikv95c6zK415lyS8g_MU88nVMSls-UyviGk8xrU0XWBrO5oro4/s320/IMG_2947.JPG" width="240" /></span></a><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">I got out of the car and the warm desert air engulfed me. I squinted as I looked up at the 3 story T-Rex. I walked up close to it and imagined what it would have been like to see one of these creatures moving in real life and how small I felt next to them and what a different world it once was. I saw that there were signs, like bread crumbs, leading into a T-Rex adventure park. Dino digs! Animatronic creatures! Panning for fossils! Huge foam dinosaur heads adorned the buildings and entrances, snarling forever.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;">It was clearly a tourist trap. And not a super cheap one at that. </span><span style="font-family: "trebuchet ms" , sans-serif;">A family of 4 saw the prices. They winced, turned and walked away.</span><span style="font-family: "trebuchet ms" , sans-serif;"> I had the unique privilege of being the only adult dude who was paying to see an attraction that was CLEARLY for children. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /><br />There were some cool dinosaur sculptures that were mostly one color, all detail seemingly washed away by the elements. There were also some errant lions and alligators that seemed to be filling space, arranged like you'd see in a Sky Mall or around a pond in someone's backyard. There were some ambient jungle sounds as well. Even young me would have been a little sad at the sight. Once I reached the end of the park, I saw that there was a ramp leading up to the haunch of the T-Rex. There was a door attached. You could go inside.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEVbsi8iPW7_MNtTg2WCGZvKheO_Hlde8py-vv1oW6bJ0Zf-RzrtQXkMHdmPk63zSNWZoc7E_nvplbn2IXcTodKWUQ8Ddlx59Cpn3tagylLWzbzCCI0FnxX9_QONY5Cy0XtpAWEK6kpXg/s1600/IMG_2955.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEVbsi8iPW7_MNtTg2WCGZvKheO_Hlde8py-vv1oW6bJ0Zf-RzrtQXkMHdmPk63zSNWZoc7E_nvplbn2IXcTodKWUQ8Ddlx59Cpn3tagylLWzbzCCI0FnxX9_QONY5Cy0XtpAWEK6kpXg/s320/IMG_2955.JPG" width="240" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: small;">This gets semi-explained shortly.</span></td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;">I gingerly made my way through the entrance, initially not sure if I was breaking any rules. To my right was a series of panels basically debunking modern scientific theories of dinosaurs and saying they still exist. I remember hearing this, that Cabazon was now run by Christians, so this was their way of sneaking some religious propaganda into the park.</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><br /></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNzU4gl-2SQsD-A_oqUYPqR6ohXnGm45FasRupY4rU0fcHbXh9eC3iuOc-3MCFTXyBdaORCnIfcLAo1k8yXDNRBF4PDBQDDzFW9pXQiLTam6YGC8Qr5LUfGi4LJ2kdPjucOPKBKD0r7w0/s1600/IMG_2957.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: xx-small;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNzU4gl-2SQsD-A_oqUYPqR6ohXnGm45FasRupY4rU0fcHbXh9eC3iuOc-3MCFTXyBdaORCnIfcLAo1k8yXDNRBF4PDBQDDzFW9pXQiLTam6YGC8Qr5LUfGi4LJ2kdPjucOPKBKD0r7w0/s320/IMG_2957.JPG" width="240" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: small;">Are dinosaurs really extinct? Yes.</span></td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br />I climbed the steps, there were three flights, and found myself in the skull of a T-Rex, looking out over Cabazon through razor sharp teeth. I sat there for a moment and I thought about how young me would have absolutely been flipping his shit. And because of that, some small part of me started flipping its shit. I was in the mouth of a T-Rex, with a view of where the final scene of The Wizard takes place. Nostalgia washed over me as the shoddily attached plastic dust protector covering the teeth flapped in the wind next to my head. Eventually I had my fill and headed back to the parking lot.</span><br />
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwCxKcFFFYPRStolDjjbtQHYthByZ1F1o5oZx3DnGrLlWYORfiqQDu8L1COoSYKTJnpeWm-AZgZ8mZFy3ChR9v8LzXZqiVCwCSezGUtycRNWo9FyU4ewH8J8KFuDWAGEO7SgbsaQOquE/s1600/IMG_2960.JPG" imageanchor="1"><span style="font-family: "arial" , "helvetica" , sans-serif;"><img border="0" height="136" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwCxKcFFFYPRStolDjjbtQHYthByZ1F1o5oZx3DnGrLlWYORfiqQDu8L1COoSYKTJnpeWm-AZgZ8mZFy3ChR9v8LzXZqiVCwCSezGUtycRNWo9FyU4ewH8J8KFuDWAGEO7SgbsaQOquE/s640/IMG_2960.JPG" width="640" /></span></a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /><br />I got into the car, the wind whipping around me. The door clapped shut and then the world was suddenly muted. I pulled away, past the Burger King and the T-Rex and the Apatosaurus.<br /><br /><br />I drove in silence for a while, the rolling hills and tufts of desert grass passing by. I noticed that I didn't need music, that I preferred the silence. I noted that my neck, which normally feels tight and strained, felt loose and light. I wasn't sure if it was just the comedown from the 5 hour energy drink earlier or that I was just tired, but in that moment I felt more relaxed and at ease that I have in years. It was like I was on drugs or muscle relaxants, but I still felt alert and aware. I didn't need to sleep, I just felt open and free from anxiety.<br /><br /><br />When I finally got home I collapsed onto my bed. I thought about the day, about finding the dinosaurs of Cabazon, about feeling confident in the location I found, and then I started to cry. For a good 10 minutes I just cried. Not exactly sadness, not exactly joy, nothing that I could put my finger on, but I sobbed.<br /><br /><br />I imagined how excited young me would have been to see and do what I did today. I remembered the dreams I had of being a paleontologist. Even the simplicity of being able to drive myself, of having the freedom that being an adult brings. I imagined how happy it all would have made me. I thought about the things that I unabashedly loved as a child, without anyone's approval or permission, whether it was drawing, video games or dinosaurs. I thought about how sad it was that my own dreams had been influenced by fear, that I stopped drawing because I felt like I wasn't good enough. I cried for all the things I dreamed about doing and abandoned. I felt a release that I was chasing my dreams now, on my own terms, with people that I know and love and I acknowledged how amazing it felt. I wondered why I didn't do it sooner.<br /><br /><br />I wish that I could wrap this up and bring it back to The Wizard or the dinosaurs. I don't want to editorialize too much. This was just a brief, beautiful moment I experienced that I will remember for a long time.</span></div>
Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com0tag:blogger.com,1999:blog-6334823770722270981.post-12840688463875111812014-05-15T21:44:00.001-07:002019-07-16T10:18:09.382-07:00How to Multigroup in Avid: The Ultimate Tutorial<span style="font-family: "trebuchet ms" , sans-serif;">-------------- UPDATE! </span><span style="font-family: "trebuchet ms" , sans-serif;">--------------</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">AE and Editor <a href="http://www.imdb.com/name/nm3113758/">Noah Chamow</a> has created a macro that is extremely comprehensive and automates this process even further. He offers it for free (though you should donate!) through his site: <a href="http://www.avidsupergrouper.com/">http://www.avidsupergrouper.com/</a></span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">I highly recommend you learn to multigroup by hand before automating. Learn the process and then check it out!</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">--------------------------------------- </span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Thanks to <a href="http://www.imdb.com/name/nm2947573/" target="_blank">Vinnie Manierre</a> and <a href="http://www.krautwerks.com/" target="_blank">Rob Kraut</a> for providing this information/collaborating with me and thanks to some other very talented post production gurus and AEs as well, including <a href="http://www.vincerocca.com/" target="_blank">Vincent Rocca</a> and Tim Leavitt.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Multigrouping is the process in Avid of combining multiple camera angles and external audio files into one special clip referred to as a “Multigroup”. With a Multigroup clip, you can quickly and easily change camera angles in your timeline.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>--> This written/video tutorial will teach you how to multigroup by hand and with a keyboard macro program from start to finish.</b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If you’d like to follow along, download this zip file which contains the example video and audio files: <a href="https://www.dropbox.com/s/mg922whzgwt5b1b/ASSETS.zip?dl=0">https://www.dropbox.com/s/mg922whzgwt5b1b/ASSETS.zip?dl=0</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If you prefer to watch a video to learn, you can see the entire Multigrouping process in action below. There will also be video links to the various steps throughout the written tutorial:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/rFpTMGnvXAI" width="560"></iframe></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"> </span><br />
<b><span style="font-family: "trebuchet ms" , sans-serif;">TUTORIAL TABLE OF CONTENTS</span></b><br />
<br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step1" target=""><span style="font-family: "trebuchet ms" , sans-serif;">STEP 1: SET UP YOUR PROJECT</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step2"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 2: CREATE A SYNC MAP</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step3"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 3: USE PLURALEYES TO CREATE A SYNC MAP</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step4"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 4: CREATE ADD EDITS</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step5"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 5: CREATE YOUR MULTIGROUPING KEYBOARD</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step6"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 6: PREP THE COMPOSER WINDOW</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step7"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 7: PREP THE MULTIGROUPING CUSTOM BIN VIEW</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step8"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 8: MULTIGROUPING BY HAND</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step9"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 9: CREATE YOUR MULTIGROUP</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step10"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 10: AUTOMATE THE MULTIGROUPING PROCESS</span></a><br />
<a href="http://willblanksblog.blogspot.com/2014/05/how-to-multigroup_15.html#step11"><span style="font-family: "trebuchet ms" , sans-serif;">STEP 11: CHECK YOUR MULTIGROUP</span></a><br />
<br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Let’s get started.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step1"></a><b>STEP 1: SET UP YOUR PROJECT</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=40s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Create a new project with these settings:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032b-755e-e54d-3c4955569863"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="410px;" src="https://lh3.googleusercontent.com/LIJv3fJ61DHImpwWrvI6-5MrWKaS9KJfrFjD2ootqiAijhHbaBNirY5qxRewi4v43URMpGiu_xIfI0wXCb3evKe2NrsqLNDM5CGT3xn8uQLFZM11XcmlA6oSB9hdt0gSSw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="448px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Create two bins in your new project, one called “AE Work” and another named “ASSETS”.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Open the ASSETS bin and import the contents of the corresponding ASSETS folder from the zip file above. Choose all of the video/audio files contained within and import them at your preferred DNxHD resolution. For our purposes, DNxHD 45 will be fine.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032d-7376-0867-d82c431f03cc"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="476px;" src="https://lh4.googleusercontent.com/51nBNnM6fywGLTpv-rKNWM57V5jHNdc9dqMctK0aQn-kcjkHVluTS5wJdoipdAmgj69AlS7v4RO4DgEuy-olEaHgBRkJ1R-nnxWlMsWeSiG8ZGrRXMMjAdQjLc5Jr3XrhA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Once the files have finished importing, you can close the ASSETS bin.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032d-dfee-d16a-806e0d661148"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="261px;" src="https://lh5.googleusercontent.com/TSCrs_gcWo77IuV7XsZgJuqF4AYWkl0rSumWdvAPPiWalwE4CL8OQ42Q-tR7p5ySpUWUXFWrfygly82WoloVKsKY8OudTH7Hiro-_NdNWnZXLA-w4lBEhLaDgqcS-884Ag" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="369px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now open the AE Work bin. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step2"></a><b>STEP 2: CREATE A SYNC MAP</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=1m15s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In the AE Work bin, create a new sequence entitled “Sync Map”.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">This “Sync Map” sequence is where we will arrange and sync up all of the various video and audio clips. This can be done by hand, by timecode or with a piece of third party syncing software.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">One of the best/easiest ways to create a sync map is to use Pluraleyes, an application that will take your reference audio, analyze the waveforms, and sync all of your clips up to external audio in seconds.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">To begin, lay in all of your clips from the ASSETS bin to the timeline, starting with Camera A and working your way up to Camera C and then the external audio. You will likely need to create new video/audio tracks to accommodate. Your timeline should look like this when finished:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032e-8713-8741-1bb5a6d84b1d"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="320px;" src="https://lh4.googleusercontent.com/y7UhgfYcXpJZBGPeyhpSuujzo-oUA_YmHroHd764h96qS9its97oy4LuJUBty6FxP-TFklJLWi915r1umDuz7Szl_wi0NQ-YLsHI4FPHs9L1IJrRCHsvfvKIpoJyWMuaBw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">To sync these clips by hand, you will need to identify a good sync point, whether it be a slate or a random movement that is identifiable across all three video clips. You will then work from the base clip upwards, moving and checking sync as you go. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">By the end of the process, your timeline should look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032f-3ef1-c925-6ef2415fc7b9"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="320px;" src="https://lh3.googleusercontent.com/Avgh5xiWcu2NdC3cK42bmsFF1tB4A8ZjgpDjBfrNRgdRAOgGujbkZyhCvHS1IwaGrIMtCqzgd3j-9U9L3eC-rhR_qQt8efeNSWJ3odoKbU6z5frGRa-nRnjqBc7rBIW62A" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Syncing by hand can be tedious and sometimes is your only option. Thankfully, the example clips I provided have reference audio attached. We can use this “in camera” audio to sync to our external audio with Pluraleyes (3.0 and above).</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step3"></a><b>STEP 3: USE PLURALEYES TO CREATE YOUR SYNC MAP </b>[<a href="http://youtu.be/rFpTMGnvXAI?t=3m3s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">With all of your clips placed in the timeline and the timeline active, click on the File Menu and select “Export”:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032f-8afb-9a56-6f4ae9dc12e4"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="519px;" src="https://lh4.googleusercontent.com/ac8QFJ-V0JUJkndIfbcrVh2JGcyF7k27vKsWeBNXjIq0u7xREpJkmitAHUtRc9QQ2oSD6mJ75MShLX1tdY0xCn0Wg21-QmLNWfcp1jMInvro9fJGMn2LM0t26dnMfAlaBQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="259px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In the following window, click the drop down menu and change it to AAF. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-032f-ba4d-7fda-dd95616c1aee"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="521px;" src="https://lh4.googleusercontent.com/9byQcpOi6X9-LlJg1dsQ3dHwx0ffvv-vKbljR0ahTK2vg1HKUhZ6PARJe_ZbhX9DhFRrP3E8OsFus8erkhBjzP4Armg9ih_hqyI60vN5aTIYfGPzmus9qHV2oHMu2jc5Xg" style="-webkit-transform: rotate(0rad); border: none;" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Make sure your settings match the image below:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0330-89d2-69a3-12861e4c3a31"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="719px;" src="https://lh3.googleusercontent.com/1KxTUyxn5QcjJi8VgayPCgobDlO1fp3RSduAvyswSk8Uc8pdjEeHyn4xIvQFT02udH8ckIjtmKP77CT8dvskkKDI6EXynJjDLA5_7CmZd4ByQmhTHoN-cvswCHPqACgWBQ" style="-webkit-transform: rotate(0rad); border: none;" width="512px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click Save. Then save the AAF file wherever you prefer.</span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Now open Pluraleyes. Click File → New Project from Media Composer. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0331-0434-fd24-fbe4d8f3f814"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="338px;" src="https://lh3.googleusercontent.com/XsI3l3DnaEVfDMZUL74Unj0RaA7eKRTIQqbdYDY7vrNKkOvuPqXQDam_SrKw4boygoLf4TNEHFEgFrUQpxJuHjU7Zg8je8OzeauPLDFt08vgWgPefmrxpQF6MuvSgeUxYQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="409px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In the following window select your AAF.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Your timeline should appear and populate the Pluraleyes timeline, looking like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0332-1a77-7f33-9b596baf3025"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="400px;" src="https://lh5.googleusercontent.com/V9iUTPQtuo2btcUp3ZIc4xAo3ZQClrorWvgEsNZ48gJmdvwvfFlinaR-bm1JsTdcwxK5Wyaep_Y_FSW5WMwnLitPFJY3fGqfv-j4bXcu680lSUzEnIgB_JFPXGaDRLHFfw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click the “Synchronize” button.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0332-8c64-dc81-3d5886e3d347"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="138px;" src="https://lh6.googleusercontent.com/wXKV0a6wR1ScKx-vNAfyQSOSRi4ekBskkI4oza7XGlkR53RtMZ-Vp8bPI7PdUTUA6GYHY_7O59Lqb6NwzI02ETNghFrptNZKieI87no2j5oy-n16LRmx_zpxf7syCoB6YQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="225px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">The pluraleyes timeline should now look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0333-2ba0-e90d-28727c322d8d"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="400px;" src="https://lh6.googleusercontent.com/ViERKZuMypWUntjqK7JZowPqrnwx9r--kA1y8_e98Rp_8MlxDctjPpoVGz3o7ZoHreYFIyPrw8PGVPtDpjcIfPE2FFGC8kAoQAShZH3Zzw_96Z-H5-V7Vz6Jr8El_VjfYA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">With the clips synced you can click File → Export.</span><br />
<br />
<span id="docs-internal-guid-3874dd56-0333-79be-8955-62d19a8e7b67"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="354px;" src="https://lh5.googleusercontent.com/t9jI5WfbSIrNgLts4uDkZMnpqr1Eu4lpmmrd9c4npd_zj3XNyeIrt5Tj2Q-riFn7jeh0CNylgRN7MH-m0psnUXegpeaoxi0IDGYj0E1uE0iBshRkf-DjOnkq7xmeg_kH2A" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="330px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">A window will pop up indicating you are exporting an AAF to Media Composer:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0333-b9df-3528-63e2a8957469"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="440px;" src="https://lh4.googleusercontent.com/tV3sq2mu7sYQqC6xHTkiUy80G_ScmF3b5fJeqobXp1JTNAa4uFU0TzmG0Em8YoTGxm3UBFpnH14DXuO1Lx7PoZOBRqDyHiwdkpL-0Z-u1wTryzeO_YDg75PRjO_tHpCgoQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click “Export”. Another window will pop up indicating that the process has completed.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0335-3f97-73e5-a37decbdadc7"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="288px;" src="https://lh4.googleusercontent.com/OffrLdRgHCP7yHEiCrr9swIJxflmc_311APpRh-pT_xOn39Uxk9MmeD21Kup58e-ipsiAqsm6mpcqEFqAH7ofdyzMK96ThHgR-mqN-2Yon0GjKfXFogVGKB4vkCTjImhtg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">You can now select the highlighted sequence and drag it into your bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0335-a0d6-0723-56c53885a2d1"><span style="font-family: "arial"; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><img height="137px;" src="https://lh6.googleusercontent.com/N8wqbpwdfumrM9fM321YV85-qHemCwPr01tgVD3KA6980GH_ygCP0K8oGjVGKWo3vBJnRM2ePR39S5DL2jJIFuPbuvNFKxIJl3LgWZc1JW84UmS0lI_9wHs5xGa83yScpg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">It will import a sequence entitled “Sync Map.Exported.01 synced”. This is the sequence we will work from going forward:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0335-e8fe-a894-c9f507a7d5a7"><span style="font-family: "arial"; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><img height="228px;" src="https://lh5.googleusercontent.com/h0KlVAx_TruOO1vfMVpIOAVZ7s6dSYUUG_QavdOk6iqYSJ4H9LXMOyxHi0buCI1Aa4saNf6Eaj_2EASAOvw7nlDVAmWOLvbRhBco_fJLpWLmOaptN06BHu8s--z5aixMbQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="454px;" /></span></span><br />
<span style="font-family: "arial"; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">For our purposes, you will no longer need the “Sync Map.Exported.01” sequence or the original “Sync Map” sequence. Place them in another bin. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now your AE Work bin should look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0336-543d-e304-4f4f56353ba0"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="228px;" src="https://lh6.googleusercontent.com/jSCpYieg0fhrCiMwMf-cQpL2omgzPJMRc2lMVVNq0IVB91IgFONUvnWDBsfRn2Opw2XZyEpAYRtUkC8pMpQZYak1uEdV_iF5jrZUCkWw_eTuYzNjNWWOXTghGaFNTq1j8w" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="454px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">It’s also a good idea to keep a backup of the completed sync map, which you can store wherever you like. Now double click and open your synced sequence:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0338-28cd-644d-7929f6638045"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="320px;" src="https://lh3.googleusercontent.com/Avgh5xiWcu2NdC3cK42bmsFF1tB4A8ZjgpDjBfrNRgdRAOgGujbkZyhCvHS1IwaGrIMtCqzgd3j-9U9L3eC-rhR_qQt8efeNSWJ3odoKbU6z5frGRa-nRnjqBc7rBIW62A" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step4"></a><b>STEP 4: CREATE ADD EDITS </b>[<a href="http://youtu.be/rFpTMGnvXAI?t=6m4s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Because of the way in which Avid creates multigroups, you will need to divide your sync map into digestible chunks.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">The general rule for creating Add Edits:</span><br />
<br />
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><b>One clip instance per camera/external audio clip, per group. </b></span></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Relatively easy to say, harder to visualize.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Here is our sync map. I trimmed the front and back ends of the audio clip so that our timeline now begins with the first video clip:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0340-0d4b-5548-640686a80dab"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="371px;" src="https://lh4.googleusercontent.com/c1ThEZn7l98D05Oo4ivOs-U9oNGD88i66o0LnwIt1GaFTCcmasEL70XRaa64JqxVfeA_c_B0ehKuLK6_XOn5oDZMksGUz9Tk8N2ULKuNyI79Uks7AWo-saNuv0hiMRhN8w" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">And here is the same timeline with Add Edits, represented by red lines:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0340-5341-63d0-b0abf7799fe1"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="359px;" src="https://lh6.googleusercontent.com/PZT92nbzopnZStZzXbfi8qebrzE-bvrFKV_ba9QjvCkI3X0CNY6JF28oxM1aMlcZR0Z7XgyeYzRtSKvnnSxnQ5aPmfK2OGnZt9cIYlFahW8KnOXh9NftqWGy7kHCNpH5Vw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">I am only making an Add Edit when it is necessitated by a new instance of a clip, whether it be camera 1, 2, 3 or external audio. In this case, the Add Edits are prompted by the trigger-happy operator of camera 3.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">To make it clearer, I numbered the "groups" of clips. Avid likes its multigroup subclips in stacked, one-clip-instance-per-track portions. You'll notice that no cameras or audio clips have multiple clip instances in any of the "groups":</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0340-a424-5f81-18ca22852b90"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="359px;" src="https://lh3.googleusercontent.com/XnfQFxmPmUP88j6viuQ5dJon6brPyWssxzW5y3ZGvzD6Rz0iLNhW_8APfWbWxgpX781LYNDlGkdj8ymX1y_2zYY1YlfMfUHGJ7ERXreWvkBnTrJq1wkA0L1Cy-E4VDYQQQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">With those Add Edits, your sync map is complete. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If this concept is still confusing, please refer to this tutorial which features a demonstration video walking you through the logic of each Add Edit: <a href="http://willblanksblog.blogspot.com/2013/07/the-best-way-to-create-add-edits-for-multigrouping.html">http://willblanksblog.blogspot.com/2013/07/the-best-way-to-create-add-edits-for-multigrouping.html</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now that we have our completed sync map, there are some small steps you need to take in order to prepare Avid for multigrouping.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step5"></a><b>STEP 5: CREATE YOUR MULTIGROUPING KEYBOARD </b>[<a href="http://youtu.be/rFpTMGnvXAI?t=7m" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Create a custom keyboard that looks like the one below and activate the setting by clicking the checkmark next to it in the settings tab of your project window:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0342-78a6-6934-6dd507ce0adb"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="42px;" src="https://lh6.googleusercontent.com/fCcLLAeMj6Ek1EHfSwGErylKIMIiy5R3Mmu4CyTLR0cF-nnEyiNeJlU2a1qwHl2QHYZnlzOXQiRtQRutgAhhEbXzQ96pYj5kFUO7_s9OGRzES-Ib9_qSgVleMgY3qLwtww" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="209px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Mark Clip</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Go to In</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Match Frame</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Go to Out</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Mark Out</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Create Subclip</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">Fast Forward</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step6"></a><b>STEP 6: PREP THE COMPOSER WINDOW</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=7m47s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Double click “Composer” under the Settings tab in the Project Window. Make the FF/REW tab look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0343-2e2b-f66a-b63b7eae0fe9"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="369px;" src="https://lh4.googleusercontent.com/ri5JeOig5LVCHamEDbzwmCFV5kPEeAgWEN7X6DIEm9EPhqnDllPzR-ghEfBcjrrKkNgaru6koUvQ6W641xLtZiBN2WQ3nvuciv93QaJcxKziqNtJH4GEFXtMqOX93gCKNg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="294px;" /></span></span><br />
<br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step7"></a><b>STEP 7: PREP THE MULTIGROUPING CUSTOM BIN VIEW</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=8m11s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Open the AE Work bin. Click the hamburger menu in the lower left hand corner and select “Choose Columns…”</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0344-5051-4f7f-4146843bb00b"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="362px;" src="https://lh4.googleusercontent.com/-acOPLdO2sOwsKrwH9GGJGyZzle_xydrD8K5MWJQn7lcW00AXDnmFPVe4vjWY2g8mBrIWHbzaD7mWLJGKwuWMnXoJKZ80RntB-3JLhGBs-iBCE-dpy5HrGYomis-imuA5g" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="206px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In the following window, select ONLY “Mark in” and “Auxiliary TC1” and click OK.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click and drag to arrange the columns in your bin to look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0344-8da2-7fe3-7aa717edefc2"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"></span></span><br />
<span id="docs-internal-guid-3874dd56-036a-6463-ae85-3dbf5d8f0809"><span style="font-family: "arial"; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><img height="228px;" src="https://lh6.googleusercontent.com/IrIHctFDoq5dS1oX2CkjXyxynkLYZF5sJeODFWiePNfY49dSBml70oc-_Ob-wA9X2WGg4xSKT1yssqMLO9BTh6WAIrgXm6zKJM30cfr1yNHrJVhMEBRPbfdmT0_LeNV36Q" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="454px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click the third box from the left in the bin window and click “Save As”: </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0345-cf6f-92c1-6478018263f2"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="139px;" src="https://lh6.googleusercontent.com/rC4K2xFnSdR2hsRfTOFulpeaEjazMemEy6Y4piBiwluSMxGMNfOoNHXP9ifUHRjQk-q2HBu5Xj7lnAkKB5R9DSs_nhIyPTWMbDRrLPvMwfkW1jx51aEQRgg-kuxQdwlfnQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="447px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Enter the name “Multigrouping” and click OK. Now you can return to this custom view whenever you like.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step8"></a><b>STEP 8: MULTIGROUPING BY HAND</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=9m1s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now we are ready to multigroup. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">There are two ways to do it: the first is by hand, manually. The second is using a piece of software called QuicKeys, which will allow you to automate the process. I recommend learning to multigroup manually first. Once you feel comfortable with and understand the process, you can move on to QuicKeys and learn to automate the process.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>NOTE: YOU MUST DEACTIVATE SEGMENT/OVERWRITE TOOLS FOR THE MULTIGROUPING PROCESS TO FUNCTION PROPERLY.</b> Otherwise the timeline indicator will get "stuck" on individual clips. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">To begin, make sure your AE Work bin looks like this, with your sync map sequence as the only item in the bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0347-be38-9d0d-5f59b8fb83db"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="228px;" src="https://lh6.googleusercontent.com/IrIHctFDoq5dS1oX2CkjXyxynkLYZF5sJeODFWiePNfY49dSBml70oc-_Ob-wA9X2WGg4xSKT1yssqMLO9BTh6WAIrgXm6zKJM30cfr1yNHrJVhMEBRPbfdmT0_LeNV36Q" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="454px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">…and make sure that your Multigrouping keyboard is activated in the Settings tab of your project window:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<img height="436px;" src="https://lh4.googleusercontent.com/376m7nb37Sf_CAtC0Oi3KmPfDkp40ig3M6f3bAVlJMtI5mvdkAQPPM_Ibe8AfuLTKWYdSIoX-aTYzCwpCsyGINbalfnwplNNtuc3NqewWcKLgg4lodb_bSu1fq2qeXS-nA" style="-webkit-transform: rotate(0rad); border: none; font-family: Arial; white-space: pre-wrap;" width="400px;" /><span style="font-family: "trebuchet ms" , sans-serif;"> </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In your sync map sequence, move the playhead to the beginning of the timeline. Deselect all video tracks except for V1, then hold the Command key and click the Monitor button to solo the track. Its icon should turn green and your timeline should look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0348-9efa-d9b0-6e7daec50fb6"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="335px;" src="https://lh4.googleusercontent.com/BE19jVrU9htat4dJmP8HkzpEnr4-0yPEb5SD7imBY2jr2obkVftu_0PWpOF93nGXHmUUuHvGwreujAJBTznd-GKaQXiTQiRnf-88GjQMQPZlCBAYFy-9hiX2dGGny1loSw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now press the “1” key on your keyboard. It will mark your first clip on V1.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<img height="161px;" src="https://lh6.googleusercontent.com/msxMs_8KIuwRCcri2BtlU8g-jVo-0P6U1vjg8wEaDOm8OrL6WeCIfPCXcgKSEZOwDPpHuF7o-QWONV7Kxxrwfa4uqNChZaKWDySENGLEKk0y70wNqUxIkRgnWHxE4_HCfg" style="-webkit-transform: rotate(0rad); border: none; font-family: Arial; white-space: pre-wrap;" width="624px;" /><span style="font-family: "trebuchet ms" , sans-serif;"> </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press “2”. This will “Go to In”-- making sure your timeline indicator is at the head of your clip.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press “3”. This will match frame back to your source clip and activate the source monitor. By default the in point from your timeline will be set on the corresponding source clip:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0349-17b2-125f-47cb7e860a60"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="427px;" src="https://lh5.googleusercontent.com/yyzEpYUJJuMjWK3x2LykWLQDcPZAzEwd3B9De8ZfqCK2EzDiQC9tpLyn1AKgbpjFkw6EzCUjMalUtpqLPMKZLqP9_1s0pKfo7vKwvJTfgvzozq6jmJ_wx9ZBjNnMRF2JAg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press “4”. This will Go to Out aka the out point from your timeline on the source clip:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0349-50d8-a3cf-586d6ce9f923"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="409px;" src="https://lh5.googleusercontent.com/3oEVYEn6W3aPETkfVwtzeyH81CuVBfygSZrCqeU_n92hlx_oRwVxtVQyI2sGcWT2qpWl22fZxUEJdoPOmvL6Q1zy7ucl-znZaqU0QRIoFHdAkcAKZOtflcqqmJnyuasNTg" style="-webkit-transform: rotate(0rad); border: none;" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press “5”. This will Mark Out on the source clip:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0349-7e78-cf00-b03c12a47363"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="408px;" src="https://lh4.googleusercontent.com/SHLiko_E_mlzYgPXlo4RD7J0Yh6atSWYDZcy3Lr9xpOdvLhSG8zUGB_OwmLk1ZelN7BqcoEIyT0DjdutrmdCfW-8sgx2e5vZqph1NgcRHsvau3kx8izoFAl9aA59YTnT4g" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Press “6”. This will create a subclip in your AE Work bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034a-1e5e-65b6-31d0eeac2c9d"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="231px;" src="https://lh5.googleusercontent.com/5f4YH-1sLJV3JiDNGpF2evkDhu4mU3oerfe1bFVEIc96LntM5-xoB3xNT-fgZbmIbvtmAfW2GnD0DmcSj1CmX2ydh8VLz5ZhFYPPbdXLzxy_MSuBxDy9UjfblDGJWnKfvQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="480px;" /></span></span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Now you will copy the contents of the Sync Map.Exported.01 synced sequence’s Mark In column and paste it over to the Auxiliary TC1 column of the subclip:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034a-58b7-7e8f-cd30d53279ce"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="232px;" src="https://lh5.googleusercontent.com/-AzchG4i_avGp3iW9bGSb5_piIbuoEx6IOqF9EXoSoFZS2hdbkMj4f0TBYz8tGsKIlbbN2BSglQhrduaCu-70cn-ZuDxs3DVIX6_bvJ3dQowbMadqNQTx7_l_xjNGOyGIQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="501px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">NOTE: Auxiliary timecode is what Avid will use to stitch the various subclips together and form the multigroup.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Return to the timeline by pressing Command + 0. Alternately you can click to reactivate it.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press “7”. This will take you to the next Add Edit:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034a-94a6-e810-24c1eab4d5da"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="241px;" src="https://lh3.googleusercontent.com/jFguwFicQBpQN_yoncnQ0tRnDJjicR_zZ9kYYfmw6L2hCXlhkMEBXKznETLcrIeCdGZ_ThRxRrsy5rGY-_d48PaudjKvhrpHhVxl2Qz0irulbZC2blH4u6oDF0DdKHsW0g" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Repeat the above process to produce another subclip. Your bin should then look like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034a-f0cd-079a-7a9cf7bb3a02"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="232px;" src="https://lh5.googleusercontent.com/lTMFJRS-AffVzRjAujinWrJtO4qBtWCA_G5l3DSJURba1JL54s_RCLIOnxf5RBHtHh93WOx2djM17yxyXst_x1GVgSJcbtmP0UUFutFy3R4JnQEd4XRtnih-0BI11gJhdg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="501px;" /></span></span><br />
<span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Repeat this as many times as necessary per video track, always isolating the desired track by using the corresponding Track Selector and green solo’ing its Monitor icon. Skip over the filler where necessary.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Once you have finished the video tracks, move on to the external audio, which in our case is on A6 and A7. You only need to activate one of the audio track selectors for your external audio. You can do both if you want but it will achieve the same result. When you match back to the source file you will be subclipping all of the audio tracks contained in the file. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034b-4fa2-292a-2bbd320917d3"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="389px;" src="https://lh5.googleusercontent.com/TJi4aW6H-EXFxPeXeLZxBBdt71lwXEDlJARLqLCYy-5r8sGLttChS9eCRCE9W5HkOmjweIzZCCT-M88J63ycj3jamIs43vxFv-nefHgaZDNH1-pXQZoGE_--RqjFu35MCg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">By the end of your multigrouping session, your bin should look exactly like this:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034b-d150-dee9-17d1ff3b585f"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="501px;" src="https://lh3.googleusercontent.com/hIJ1GvDrVyaep38RYaxWCoIqpwZOdf2k5ET6woYUoNh9KbKFqf6aGrYTrcICXWQt_BOEWTbS0a7QT1ZXBh7-ihLEY_inPkxX6ZNd3uRhO40BNG3Mb-8zkYrfwgWgSHrIwQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="500px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If it doesn’t, delete your subclips and start again. Otherwise… continue on.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step9"></a><b>STEP 9: CREATE YOUR MULTIGROUP</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=12m55s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click the Name column and press Command + E to sort the column by Name (Sorting the clips by Name will help keep them from bouncing around the multicam view when you begin editing):</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034c-d1c6-eafd-fe071e732b74"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="521px;" src="https://lh3.googleusercontent.com/CPqlPAuRBm1qfuREPfQqE0UfNdymxM9_cM9t1R267lsfiQI-PZxXAZNeeP30dUtdjeOvJxPAE62IUv1E8bPK01bk1ZDdoR7J6-nt7Dvh3Ta0_4ioZDJCyTtfwoLv-har0Q" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="487px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Select all of the subclips in your bin.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">It’s now time to perform the most satisfying step… click the “Bin” menu and select “MultiGroup”:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034d-68cb-8de6-bcb37e4c6304"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="285px;" src="https://lh4.googleusercontent.com/vw8VXAUY5GqF8qKy3JLvovASj7fXyrFO9WdsZcx_Yswj0TuZGlQluBqMzlrUX0jLiB_mlA5RGxg-Uu9lkklXfQ33GkYjS3NIxTA4gX1Uf59E-52syQpNWcuSel6P7qqtKw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="440px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">A window will pop up. Make sure it looks like the one below and that you select “Auxiliary TC1” to sync the clips:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034e-048a-9b21-bc6c8d842cc5"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="382px;" src="https://lh5.googleusercontent.com/wtuYEkrWvg61bapPtjNdd0qofpiGcJutUqJnET87TgQvCVI3KZXPmW7ncSn-AS31XQ4SQy64BVhNx0AlBtXzhT_4tgWtCyImYDHK87IAQJ6A7ZPG4BU89INXFn6nc6ITIQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="264px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click OK. Another window may pop up warning about multiple angles. Click “Always Group”. Your bin will now look like this, with your multigroup clip at the top of the bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034e-406c-7d35-48ef050e7801"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="607px;" src="https://lh4.googleusercontent.com/XZpVLiAOfyc1k7BdVjkrMGDApl_Db9_Xj3AKTcc_P1qG5zmzroQWHzelqF0dUGMEnlOKUzbdD7trOLzDTi9QsNdg_9ScyP_TkRGSfTLLOGvlUm4_UPsf_1UyixNuJ37sag" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="490px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Avid also creates a series of .Grp labeled groups. These are the 5 different groups that comprise the Multigroup. You can delete them as well as the subclips. However, depending on the post workflow of your show, you may want to keep them in a different bin.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Congrats! You’ve just created your first multigroup. You can now cut Multigroup.01 into a sequence and begin editing. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step10"></a><b>STEP 10: AUTOMATE THE MULTIGROUPING PROCESS</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=15m13s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">As you probably noticed, multigrouping by hand is a tedious and error-prone process. This part of the tutorial will show you how to automate the application of Auxiliary Timecode while multigrouping by using the keyboard macro software of your choice. This will eliminate hours of pain/suffering from your workflow.</span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b>PLEASE NOTE: THERE ARE KNOWN ISSUES FOR MOST KEYBOARD MACROS WITH VERSION 8.3 OF MEDIA COMPOSER. The release of MC 8.3.1 solves those issues.</b> </span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">------------ UPDATE -------------</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">Here is where <a href="http://www.imdb.com/name/nm3113758/">Noah Chamow's</a>
comprehensive SuperGrouper macro automates this
process even further than the directions below. He offers it for free (though you should donate!)
through his site: <a href="http://www.avidsupergrouper.com/">http://www.avidsupergrouper.com/</a></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">------------------------------------ </span> </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">This part of tutorial is geared towards the Mac version of QuicKeys but the process should be easily recreated in whatever software you are using.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">You Will Need:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">QuicKeys: <a href="http://startly.com/products/quickeys/mac/4/">http://startly.com/products/quickeys/mac/4/</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;">OR Keyboard Maestro: <a href="http://www.keyboardmaestro.com/main/">http://www.keyboardmaestro.com/main/</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Both offer free, fully-functional trial versions.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Open your AE Work bin or create a new one. Place your synced sequence inside and make sure it is the ONLY item within the bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-034f-fac0-d7cf-eb16da69813f"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="231px;" src="https://lh5.googleusercontent.com/S24RZGPGmeOX_zXXaSKF4OWSnVfFDCXjbmLxF5T1aF0azc2JTT-YTcAS3Rcf7QgBFzSYgOAiSHJPWSCmLa_669cM-trAZ91wSa0Rd3l8hqvDtjRV9akAt9bHpJVEY1i9ow" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="480px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now place that bin in the upper left hand corner of the screen.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">This is what your upper left hand corner should look like, with your sync map inside your bin:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0350-4676-026d-43b877b16519"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="235px;" src="https://lh3.googleusercontent.com/NJ48RF8SOEVAABLxusG9jZd-YERPGDI4F6CfaHojsQ9JxoH0r23Rvcv_r0dtTHYbBcCnKTaEjRU0beEptSmtCXT9dLRRwy5z_u0kPUQ5-N63wQddC77UhlHK6EkZ-60GpA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="320px;" /></span></span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Open QuicKeys and load the QuicKeys file downloadable here: <a href="https://www.dropbox.com/s/bf1n2j6hankb5gm/qk_multigroup_setting.qkmx?dl=0">https://www.dropbox.com/s/bf1n2j6hankb5gm/qk_multigroup_setting.qkmx?dl=0</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0350-b1a6-4d26-f6dc14a2de56"><span style="color: #1155cc; font-family: "arial"; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><img height="320px;" src="https://lh4.googleusercontent.com/o67I6sC6kb9rhS2ChYRbzb-8RI52Eb587vLUQJPX-UYr6MDllOh0jen6Z4PQVN0ZRc9m_7_LS_ksGk0wopdpoY7V3-fr70n01KOndQHkANRuFL2TrEwxki2NGFVa32IzAw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="302px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Double click and open the "QK Multigroup" setting that should appear in your QuicKeys Editor window. Everything you need is laid out in this file. You can scroll through it and see the various steps of the multigrouping process that will be automated.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now scroll down to Step 15:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0350-ee30-8cf3-b31b0a818794"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="159px;" src="https://lh6.googleusercontent.com/vwaEkdhdx6atC80SGEByEjeLDxc0tBmTiPMPzVftxl6TN-oBKYinpy1IDuUznK2xTebIKSNDg0MvT86KGn7Kug9xirA5ahUkXWKixoEwUHU3PpVRzEQgv3fZyW8_86elEA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="400px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Click “Set Location” and the window below will pop up.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0351-11ed-b718-e4d401b360c2"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="320px;" src="https://lh5.googleusercontent.com/y38jIpR_to5UpydosTdaK6sEEqgUlh-BWPJga1N6q6oZp7hxu26idLNMfp3bczDqi2-Xi_WCleLLDvhbuguc5zisz25KF10qT_JZ4CZ5NKpV83cKTVHv72Hc8PEgH_hYAQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="306px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press the Caps Lock Key with the mouse over the Name Column’s first entry field. Then click OK. Set the Release Location (Also Step 15 in the QuicKeys file) for the same spot.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">It’s important that you keep your bin lined up properly in this corner otherwise you will have to redo this step.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now, very important: you must run this macro one layer at a time, making sure to solo your video tracks. Each layer should look like this as you go, with the green solo button activated (On a Mac, hold down Command and click on the monitor icon):</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0351-5aa2-d72d-351036c70ff6"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="344px;" src="https://lh6.googleusercontent.com/dunSMl96UVtVyNOJ7W7P_nFF7EAPIivOkZD3YONYsAPx5612hSsor_Lovk43yzU5YlYzZEPTsL5w9jAwD19ks0STsRRW9Wk7WkKIO6H3i7ZgCm1_BaxWVKzJuXolojsbxg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="427px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>If all of your settings are otherwise correct, you can skip towards the bottom and learn how to activate the macro.</b> Otherwise, read on for a description of exactly what the macro will be doing, step by step:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">First, the QuicKeys macro will create a subclip using the multigrouping keystrokes assigned to the numbers 1-6.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">After the subclip has been created, Step 15 will click in the name column, then Step 18 (“TAB”) will shift you to the Mark In Column.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0351-b255-a47b-5fbafd0956a7"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="206px;" src="https://lh5.googleusercontent.com/hDBbftflZyfNlgecw743ogphWjrsbDPD4HD3qxcybEMbLniVb4Zbvv8hCs_iF8EY4hv29c5i9sYRpC_Nm2wtqkEs5POcvzEfO2nhNUcJDaJuj0r2XJxgoPB0eF54rnLZVg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="320px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0352-0d27-7e48-8c819d27164d"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="190px;" src="https://lh3.googleusercontent.com/qVavnm6RNGKRrzAsB_e09w41YOk8hLxpFQKog3E6M5rG_nRYhdpuDDaRGtXpa2plljT-bL9Y9wlPdgtVUoYzbN9PBDM2DSCdQbjRwACXxuUUqDVy1VKPi8TViiglGOTLSw" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="320px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Step 20 (“Shift + Return”) will take you to the bottom of the bin, where your sequence is located.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0352-3fde-1083-a189e2388335"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="207px;" src="https://lh4.googleusercontent.com/n51OoBD_XtoQeBF2NH4mvsrqZR6mgeA0Hrk6Saf_wtitJraBXph68xySFuT5jAoG6Wv4AU00kkWr-vSd5yKtwrBMlnteQtbe-OyqwAdsDmAQvAM2kPtdxSUK17BviGIR-g" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="320px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">QuicKeys will copy that Mark In value, which will be the basis of your Auxiliary Timecode entries. It will then hit tab again, which will bring you to the Auxiliary TC1 Column.</span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Then it will press enter, which brings you back up to your subclip, then it will hit paste, which pastes the Mark In value to the subclip’s Auxiliary TC1 Column.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0353-6a9b-a5b5-d06b0cd3bead"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="208px;" src="https://lh3.googleusercontent.com/tl-BtbAqGTCZ8zoXGEXF_ak_-jYFbaYyWGzAzOjmuj6DXkKasO1h9RI2QiqcBAvSC4tS07CVVAd2AGJqcj-xDLw33q42nR3472RxhaXxn1H9YHIBunaEC1caEZulCRUgmg" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="320px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Apple + 0 will bring you back to the timeline, “7” will skip you to the next Add Edit point.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Now go ahead and designate a keystroke to activate the macro. In my case it is F6.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0353-c8fa-271b-41e4ee3e4b6b"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="147px;" src="https://lh6.googleusercontent.com/Pu1P5DE-jgPp2Y5MepMxi52k4PvuP4KU41iAt3m2mj_yE5pZbIbgdPwCwJWTu_TfMOiYL32eDMuZ-YjwjDlEYCgqbCwPQKWDxqtsxkjiTiWjUnKFyXofNYt5Ay5qH9QetQ" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Finally, time to start the process.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>NOTE: YOU MUST DEACTIVATE SEGMENT/OVERWRITE TOOLS FOR THE MACRO TO FUNCTION PROPERLY. </b>Otherwise the timeline indicator will get "stuck" on individual clips.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Press F6 (or whatever key you've set) in Avid with your timeline activated. A window will pop up asking you how many times you want it to run. You can count or estimate. Just make sure: if it repeats itself at the end of the sequence because you estimated incorrectly, delete the subclips with identical Aux Timecode.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">You'll also end up with Sub-Sequences in your bin. That's what happens over filler with no clip. You can delete those as well. Just make sure, of course, not to delete your Sync Map on accident.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Then voilà, you have automated the process of adding Auxiliary Timecode in Avid!</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">NOTE: Don't do any audio layers with your video except for Aux TC. If they are polyphonic you just need to do one of those as it subs them all together.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://www.blogger.com/null" name="step11"></a><b>STEP 11: CHECK YOUR MULTIGROUP</b> [<a href="http://youtu.be/rFpTMGnvXAI?t=21m28s" target="_blank">video tutorial link</a>]</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">A quick and dirty method of checking your multigroup is to double click it and open it in the source monitor:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0355-2af8-79ca-3ce8fa8ddd0b"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="261px;" src="https://lh3.googleusercontent.com/QlfYQ8c3TuMC_WaGJLxFAztrGo7aGc29lBSGGTRD-NsJaAWTQNVhXkWjLlSU5TXu6oSbA7Y5UoQPGQ33MsMrqtRqLY80dut8u8rV95n2Q9Bbbe0kgYGP6OD7KnQEpqWYYA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">In quad or nine split view you can scrub and see the various angles and how well they match up.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Another technique is to lay it in on top of your sync map (In this example, I’ve made the multigroup clip yellow in order to distinguish it clearly from the rest of the timeline):</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span id="docs-internal-guid-3874dd56-0355-4e17-1cb8-1146fcfd889d"><span style="font-family: "arial"; vertical-align: baseline; white-space: pre-wrap;"><img height="367px;" src="https://lh6.googleusercontent.com/d2TuHn45k1W5FUVXu_ds5MlqZyBmW7RnplCn17syZatZuZOE-Xd4ZcyrICZzN-h9IvTQPSGTbHbVVC8SLGpTn9l06kd5IFGKRBiXeL_b3KhQe6qpsmMlXFKra4Ru5RtbJA" style="-webkit-transform: rotate(0.00rad); border: none; transform: rotate(0.00rad);" width="624px;" /></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">You will be able to clearly see that the multigroup matches up with the Add Edits we created originally. That is an indication of a problem-free multigroup. If they don’t match up, you can check/delete the offending subclips, recreate them and then compile a new multigroup.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">If there was filler separating clip groups in your sequence, you will need to remove that filler before cutting the multigroup into the timeline in order to make the add edits match up. When Avid groups clips it automatically removes filler between groups.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b><br /></b></span>
<span style="font-family: "trebuchet ms" , sans-serif;"><b>YOU’RE DONE</b></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Great work! You just learned one of the most esoteric and essential skills that an AE will need in his or her toolbox. </span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<b><span style="font-family: "trebuchet ms" , sans-serif;">The one thing that I ask is that if this tutorial has helped you please let me know in the comments! </span></b><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">Otherwise I can be contacted </span><span style="font-family: "trebuchet ms", sans-serif;">by email: will at willblank dot com</span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">For more about me and my work go to: <a href="http://www.willblank.com/">http://www.willblank.com/</a></span><br />
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">And this interview: <a href="http://stilldreamin.podbean.com/e/sd-016-will-blank/" target="_blank">http://stilldreamin.podbean.com/e/sd-016-will-blank/</a></span>
<span style="font-family: "trebuchet ms" , sans-serif;"> </span><br />
<br />
<span style="font-family: trebuchet ms, sans-serif;">I must warn you though that I cannot troubleshoot your multigroups through the internet. Just understand the process manually, then use the SuperGrouper, which is linked to at the top of the article. </span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPuWdVNm3nRiwjtrOxJ6BfB-FM-JVlqjr583gonaS8N42vkHTTUYuZ_VBmBH0ZjytlAjLC5BQ0NL0A7e5umxASaWekhoEexYvKRPWalE5-wMGRyZx72KDcfOy6lFYQM9W4rji7L-K-69o/s1600/photo1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPuWdVNm3nRiwjtrOxJ6BfB-FM-JVlqjr583gonaS8N42vkHTTUYuZ_VBmBH0ZjytlAjLC5BQ0NL0A7e5umxASaWekhoEexYvKRPWalE5-wMGRyZx72KDcfOy6lFYQM9W4rji7L-K-69o/s1600/photo1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif;">This is me at work (NBC)</span></td></tr>
</tbody></table>
<div style="text-align: left;">
<br />
<span style="font-family: "trebuchet ms" , sans-serif;"><b><span style="font-family: "trebuchet ms" , sans-serif;">Thank you!</span></b> </span></div>
<br />
<span style="font-family: "trebuchet ms" , sans-serif;">------------</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Other multigrouping resources:</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">For another multigrouping tutorial please check out this page by Tim Leavitt: <a href="http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/">http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/</a></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">As well as this multigrouping video tutorial by Vincent Rocca: <a href="http://www.youtube.com/watch?v=aDR8nRXSTyc%C2%A0" target="_blank">http://www.youtube.com/watch?v=aDR8nRXSTyc </a></span><br />
<br />Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com28tag:blogger.com,1999:blog-6334823770722270981.post-88324370342461813202014-03-24T22:15:00.004-07:002014-03-24T22:32:06.748-07:00GIF Comic: My ChildhoodRemembering summers I spent when I was a kid, I decided I wanted to use the format slightly differently this time. There's no punchline to this one, just animated memories.<br />
<br />
<div style="text-align: center;">
<a href="http://imgur.com/EpsrlLt"><img src="http://i.imgur.com/EpsrlLt.gif" title="Hosted by imgur.com" /></a></div>
Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com3tag:blogger.com,1999:blog-6334823770722270981.post-40171629009212370482013-10-28T16:03:00.002-07:002014-03-24T22:32:24.823-07:00GIF Comic: The Epic Staredown<div style="text-align: center;">
<a href="http://imgur.com/ynYoFT2" title="GIF COMIC! Dog Staring Contest"><img alt="GIF COMIC! Dog Staring Contest" src="http://i.imgur.com/ynYoFT2.gif" title="Hosted by imgur.com" /></a></div>
Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com1tag:blogger.com,1999:blog-6334823770722270981.post-13046531194212106932013-10-08T00:26:00.004-07:002014-03-24T22:32:38.072-07:00GIF Comic: Roommate Problems<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "Trebuchet MS",sans-serif;">This is my first ever experiment with a GIF comic... a format that I've never actually seen before on the internet. This is for those of us who have lived with another person:</span></div>
<div class="separator" style="clear: both; text-align: left;">
<br /></div>
<div style="text-align: center;">
<a href="http://imgur.com/epBVzLC" title="GIF COMIC! Roommate leaves town"><img alt="GIF COMIC! Roommate leaves town" src="http://i.imgur.com/epBVzLC.gif" title="Hosted by imgur.com" /></a></div>
Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com0tag:blogger.com,1999:blog-6334823770722270981.post-7951936137477723722013-07-18T13:40:00.000-07:002014-03-23T14:16:09.886-07:00New 30 Sec Animated Short: The Future of All Video Games<span style="font-family: "Trebuchet MS",sans-serif;">Please enjoy my latest animated short which features sound design by Brandon Griffith and Greg Nicolett:</span><br />
<br />
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/n_MnD0ewqlc" width="560"></iframe>Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com0tag:blogger.com,1999:blog-6334823770722270981.post-24731023423141944022013-07-17T19:12:00.003-07:002013-07-26T18:52:56.270-07:00The Best Way to Create Add Edits For Your Multigroups<span style="font-family: "Trebuchet MS",sans-serif;">This tutorial explains the most efficient way to create Add Edits when preparing subclips for multigrouping in Avid. Full credit goes to <a href="http://www.imdb.com/name/nm1956168/">Rob Kraut</a> for this tip. </span><br />
<br />
<u><span style="font-family: "Trebuchet MS",sans-serif;">Here are some reasons why you'll want to use this Add Edit technique when multigrouping:</span></u><br />
<ul>
<li><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><b>Cameras will no longer shift their banks. </b>They maintain position throughout the multigroup clip which should make both you and your editor very happy.</span></span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;"><b>Fewer subclips</b> (both while multigrouping and in the final laid out multigroup clip)</span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;"><b>Fewer subclips to
add auxiliary timecode to</b> (to learn how you can automate applying
auxiliary timecode to your subclips, click this link:<a href="http://willblanksblog.blogspot.com/2013/06/adding-auxiliary-timecode-with-quickeys.html"> http://willblanksblog.blogspot.com/2013/06/adding-auxiliary-timecode-with-quickeys.html</a>) </span></li>
<li><b><span style="font-family: "Trebuchet MS",sans-serif;">Fewer clips to troubleshoot if anything goes wrong </span></b></li>
<li><b><span style="font-family: "Trebuchet MS",sans-serif;">Save precious time! </span></b></li>
</ul>
<span style="font-family: "Trebuchet MS",sans-serif;"> The general consensus about multigrouping is that when preparing your subclips you need to create a sequence riddled with Add Edits at the start and stop of every single clip in your timeline. <br /><br />Take this sync map before Add Edits:</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6Vsyw5-4cRvqdzJBg-QYF0Pw1zPZJ-toPUtfUq4RwkwE_5LvhDIwNbehej8YhIrHTPGRQRiRb8CaB_rf0i7LsGIlKvQqjhrC9uIt19jt3h1TJTYDXh1JOSq_T-rzIbD6wLoLidyu0X18/s1600/Clean.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6Vsyw5-4cRvqdzJBg-QYF0Pw1zPZJ-toPUtfUq4RwkwE_5LvhDIwNbehej8YhIrHTPGRQRiRb8CaB_rf0i7LsGIlKvQqjhrC9uIt19jt3h1TJTYDXh1JOSq_T-rzIbD6wLoLidyu0X18/s640/Clean.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">And after (red lines added for emphasis):</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM8oxIJQx-Et0ND42J4VUgobS9odvyrGUVNy_fn20PRlZCNWXVh1enZjEZiratRczCbjouA-Zvda0FGKuTbJQ2dDu46rrx6RvH2ue-p3LuOQsmpiQonkPe8BIicJdw53TXFN5-iJw22qA/s1600/AddEdit.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM8oxIJQx-Et0ND42J4VUgobS9odvyrGUVNy_fn20PRlZCNWXVh1enZjEZiratRczCbjouA-Zvda0FGKuTbJQ2dDu46rrx6RvH2ue-p3LuOQsmpiQonkPe8BIicJdw53TXFN5-iJw22qA/s640/AddEdit.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">This is an inefficient strategy. The Rob Kraut Add Edit gives you the exact same functionality with a fraction of the subclips, so instead the above timeline can look like this: </span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgan1xmWkiEj-IPXZec_1qp7Wy6iE_FyRPARN3iz0X_PPGXd9DnJ0aGJhqPYCKYQV4tXU1-XMnKkFycQ5rIbcWD44WUkGmaQDV0P_gHiN9uMe_Brn8qLoQrVcOEqXaARqHDaw05DRHg07c/s1600/KrautAddEdit.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgan1xmWkiEj-IPXZec_1qp7Wy6iE_FyRPARN3iz0X_PPGXd9DnJ0aGJhqPYCKYQV4tXU1-XMnKkFycQ5rIbcWD44WUkGmaQDV0P_gHiN9uMe_Brn8qLoQrVcOEqXaARqHDaw05DRHg07c/s640/KrautAddEdit.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"> </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">This technique is easy to learn and once implemented will save you significant time while multigrouping. Without further ado, here is the general rule for the best way to Add Edit: </span><br />
<br />
<div style="text-align: center;">
<b><span style="font-family: "Trebuchet MS",sans-serif;">One clip instance per camera/audio clip, per group. </span></b></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">Relatively easy to say, harder to visualize.<br /><br />Here again is that same timeline from earlier, the clean sync map:</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiqk4lcTjEx8erIWRynoHHFHsxOyK_0oBUYsKIcPl6Uj3JqrybdYpRvxmuq5AXXfV3Vb3OoRsFF7FXSgpdH_krT8UQmMvdAcZXRra73Emwqj9vAv4QfyCGI2y-4ZSnHVml-tSlPDtwEmk/s1600/Clean.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiqk4lcTjEx8erIWRynoHHFHsxOyK_0oBUYsKIcPl6Uj3JqrybdYpRvxmuq5AXXfV3Vb3OoRsFF7FXSgpdH_krT8UQmMvdAcZXRra73Emwqj9vAv4QfyCGI2y-4ZSnHVml-tSlPDtwEmk/s640/Clean.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">Now with the Rob Kraut Add Edits:</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYyldBGYHIE6WMoqkX946X-0j6zEYmsmss-qLFhsJvKR9c0O-VHNBdhpshUyVHlpO_X2l-mqf9sAYzQ-qTxRmCa319xBf1BeZhyphenhyphenpA5tfjUnLeveDREkr4upxBkhjAQYWJ4jetmIESIWY/s1600/KrautAddEdit.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrYyldBGYHIE6WMoqkX946X-0j6zEYmsmss-qLFhsJvKR9c0O-VHNBdhpshUyVHlpO_X2l-mqf9sAYzQ-qTxRmCa319xBf1BeZhyphenhyphenpA5tfjUnLeveDREkr4upxBkhjAQYWJ4jetmIESIWY/s640/KrautAddEdit.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">With this technique, I am only making an Add Edit when it is necessitated by a new instance of a clip, whether it be camera 1, camera 2 or external audio. In this case, the Add Edits are mostly prompted by the trigger-happy operator of camera 2.<br /><br />To make it clearer, I numbered the "groups" of clips. Avid likes its multigroup subclips in stacked, one-clip-instance-per-camera portions. You'll notice that no cameras or audio clips have multiple clip instances in any of the "groups":</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtql2rzaJ6RNn9XIzp4RxYmYYO4Ljuj5u6TZV05xuMhVlDXuIhwRhgAVExBSz72n_-bMpvY4HLNfn0wzREOEgnHr0AlHPZFpzVBdUIc8qB5pzNABjlcVimGmTqNf5wAu-mlF_-h0Xur9Y/s1600/Groups.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtql2rzaJ6RNn9XIzp4RxYmYYO4Ljuj5u6TZV05xuMhVlDXuIhwRhgAVExBSz72n_-bMpvY4HLNfn0wzREOEgnHr0AlHPZFpzVBdUIc8qB5pzNABjlcVimGmTqNf5wAu-mlF_-h0Xur9Y/s640/Groups.png" width="560" /></a></div>
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">To make it even clearer, here is a video that walks you through the logic behind each of the Add Edits I made in this sequence:</span><br />
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/bKo4JENPbXo" width="560"></iframe>
<br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">And that is the Rob Kraut Add Edit. </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">If this was helpful to you, please share this with others who could benefit! Thanks! </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><i>For a comprehensive multigrouping tutorial please check out this page by <a href="http://viewfromthecuttingroomfloor.wordpress.com/">Tim Leavitt</a>: </i><a href="http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/">http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/</a></span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><i>As well as this excellent multigrouping video tutorial by Vincent Rocca:</i> </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.youtube.com/watch?v=aDR8nRXSTyc">http://www.youtube.com/watch?v=aDR8nRXSTyc</a></span> </span>Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com8tag:blogger.com,1999:blog-6334823770722270981.post-88499946744321635772013-07-01T11:02:00.001-07:002013-07-01T11:18:56.194-07:00Latest Short FilmCheck it out! Video game humor!<br />
<br />
Thanks to Mike, Brandon (Sound Design/Mixing), and Rich.<br />
<br />
<iframe width="560" height="315" src="//www.youtube.com/embed/D8MzM3pT8wI" frameborder="0" allowfullscreen></iframe>
<br />Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com0tag:blogger.com,1999:blog-6334823770722270981.post-37539591064370942722013-06-30T18:34:00.001-07:002014-04-27T23:17:00.448-07:00Avid Tip: Adding Auxiliary Timecode With QuicKeys / Keyboard Maestro / Keyboard Macros<span style="font-family: "Trebuchet MS",sans-serif;">--> This tutorial will show you how to automate the application of Auxiliary Timecode while multigrouping using the keyboard macro software of your choice. This will eliminate hours of pain/suffering from your workflow. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">NOTE: This tutorial is geared towards a Mac setup. I don't know whether or not the QuicKeys file I provide will work on a PC, but the process should be easily recreated in whatever software you are using.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Thanks to </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.imdb.com/name/nm2947573/">Vinnie Manierre</a> for providing t</span>his information/collaborating with me and thanks to some other very talented post production gurus and AEs as well, including <a href="http://www.krautwerks.com/">Rob Kraut</a> and <a href="http://www.vincerocca.com/">Vincent Rocca</a>.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><i>For a comprehensive multigrouping tutorial please check out this page by <a href="http://viewfromthecuttingroomfloor.wordpress.com/">Tim Leavitt</a>: </i><a href="http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/">http://viewfromthecuttingroomfloor.wordpress.com/2008/04/17/multigroups/</a></span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><i>As well as this excellent multigrouping video tutorial by Vincent Rocca:</i> </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.youtube.com/watch?v=aDR8nRXSTyc">http://www.youtube.com/watch?v=aDR8nRXSTyc</a></span> </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><b>OK. Let's get started!</b> </span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">You Will Need: </span><br />
<ul>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Avid (any version should work) </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">QuicKeys (<a href="http://startly.com/products/quickeys/mac/4/">http://startly.com/products/quickeys/mac/4/</a>) or Keyboard Maestro (<a href="http://www.keyboardmaestro.com/main/">http://www.keyboardmaestro.com/main/</a>). Both offer free, fully-functional trial versions.</span></li>
</ul>
<span style="font-family: "Trebuchet MS",sans-serif;">By this stage you need to have placed all the necessary Add Edits in your Sequence to be ready for the multigrouping process. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">For your Bin Layout create these columns, in this exact order: </span><br />
<ul>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Name </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Mark In </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Aux Timecode</span></li>
</ul>
<span style="font-family: "Trebuchet MS",sans-serif;">Put your synced sequence inside your working bin. Now place that bin in the upper left hand corner of the screen. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">This is what your upper left hand corner should look like, with your sync map inside your bin:</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2d4wKsoM5dkEcITtDFLdKrktkmAIsJ5g904ICncdWB2Y8EJZ3OOdoD9Rzm_YWT3FF2XLfSBLx4cRj9y49uzcdWq56TtBtfWWEWba6UOlrf3W7PvvGSl7lj3Hiov_Np4wuLkN3s9vUdJ0/s530/Screen+Shot+2013-06-30+at+5.19.30+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2d4wKsoM5dkEcITtDFLdKrktkmAIsJ5g904ICncdWB2Y8EJZ3OOdoD9Rzm_YWT3FF2XLfSBLx4cRj9y49uzcdWq56TtBtfWWEWba6UOlrf3W7PvvGSl7lj3Hiov_Np4wuLkN3s9vUdJ0/s320/Screen+Shot+2013-06-30+at+5.19.30+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Numbers 1-7 should be mapped to your keyboard in Avid as follows:</span><br />
<ol>
<li><span style="font-family: "Trebuchet MS",sans-serif;"> Mark Clip </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Go to In </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Match frame </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Go to Out </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Mark Out </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Make Subclip </span></li>
<li><span style="font-family: "Trebuchet MS",sans-serif;">Fast Forward</span></li>
</ol>
<span style="font-family: "Trebuchet MS",sans-serif;">You can set these to whichever keys you prefer, however the QuicKeys profile provided later is already set up as is (These shortcuts are adapted from Vincent Rocca's legendary multigrouping tutorial which can be found here: <a href="http://www.youtube.com/watch?v=aDR8nRXSTyc">http://www.youtube.com/watch?v=aDR8nRXSTyc</a>).</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">This is what your keyboard should look like:</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFAm3u2dEufFc4h423PIlavudde-T7xe-te_zAF6tRfhTpAFQypCIVXkZ_YZiUyLXpKmSVNNBsY47IxhXlhhqq6xcF0XIaq9imW0FLl6qDUO5dg_4lOqJQkF2kjdGqUBWfzrLSo8J_4qw/s231/Screen+Shot+2013-06-30+at+5.23.05+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFAm3u2dEufFc4h423PIlavudde-T7xe-te_zAF6tRfhTpAFQypCIVXkZ_YZiUyLXpKmSVNNBsY47IxhXlhhqq6xcF0XIaq9imW0FLl6qDUO5dg_4lOqJQkF2kjdGqUBWfzrLSo8J_4qw/s231/Screen+Shot+2013-06-30+at+5.23.05+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Once you have the keyboard set up, open QuicKeys and load the QuicKeys file downloadable here: <a href="https://dl.dropboxusercontent.com/u/46592759/qk_multigroup_setting.qkmx">https://dl.dropboxusercontent.com/u/46592759/qk_multigroup_setting.qkmx</a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC-5rbfoqB8lUMb0Qfc37uWwuEV5zA9hoo-YOREJFqs1ppqLNiV_IBpnXKjF4gJsZBjTvPn9nXLT5MOTh_3XBcLWr8yIAIIJPGvg7KzMiDF2j-q7jCzx9nO6A6BGB7F0pjy6WAzlmYRpA/s486/Screen+Shot+2013-06-30+at+5.29.24+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC-5rbfoqB8lUMb0Qfc37uWwuEV5zA9hoo-YOREJFqs1ppqLNiV_IBpnXKjF4gJsZBjTvPn9nXLT5MOTh_3XBcLWr8yIAIIJPGvg7KzMiDF2j-q7jCzx9nO6A6BGB7F0pjy6WAzlmYRpA/s320/Screen+Shot+2013-06-30+at+5.29.24+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Double click and open the "QK Multigroup" setting that should appear in your QuicKeys Editor window. Everything you need is laid out in this file. You can scroll through it and see the various steps of the multigrouping process that will be automated. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Now scroll down to Step 15: </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqeg57L82qlnasMvAW1rMs-OPJMk-SuJulPQiCgThyphenhyphenewu8Sl-lscecRxARjrA0MrVZzGqgWesjlJyjg8be61mYkp8K3vQLFBFlmJypjxmGVlaSsx75pJEyMu8rL1AL21rztFH1wOYsqPM/s985/Screen+Shot+2013-06-30+at+5.43.33+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqeg57L82qlnasMvAW1rMs-OPJMk-SuJulPQiCgThyphenhyphenewu8Sl-lscecRxARjrA0MrVZzGqgWesjlJyjg8be61mYkp8K3vQLFBFlmJypjxmGVlaSsx75pJEyMu8rL1AL21rztFH1wOYsqPM/s400/Screen+Shot+2013-06-30+at+5.43.33+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Click “Set Location” and the window below will pop up. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXeOhLPCjQgbWD_u51wWfvD3focNvj0USCfazrAN-SFL-MjnEemAMxGRn35QXGUflqXbTmUa3dJ6kdmKjpJ2E6iRRbQP_3pvU7UV1w_7smEKeDpBwZDfU3Wr7ScowzDnOD_11szqchKU/s418/Screen+Shot+2013-06-30+at+5.46.25+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUXeOhLPCjQgbWD_u51wWfvD3focNvj0USCfazrAN-SFL-MjnEemAMxGRn35QXGUflqXbTmUa3dJ6kdmKjpJ2E6iRRbQP_3pvU7UV1w_7smEKeDpBwZDfU3Wr7ScowzDnOD_11szqchKU/s320/Screen+Shot+2013-06-30+at+5.46.25+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">Press the Caps Lock Key with the mouse over the Name Column’s first entry field. Then click OK. </span><span style="font-family: "Trebuchet MS",sans-serif;">Set the Release Location (Also Step 15 in the QuicKeys file) for the same spot.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">It’s important that you keep your bin lined up properly in this corner otherwise you will have to redo this step.</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Now, very important:
run this macro one layer at a time, making sure to solo your video
tracks. Each layer should look like this as you go, with the green solo
button activated </span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">(On a Mac, hold down Command and click on the monitor icon)</span>:</span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLWijA6Tv8Ed5fTuysNbuKWk8CnmUwgR4HJGGZwf1rIfPzoPS69wRbbRAi8vPjc6LdBz46PSTG5aliXo0-ZnJ62Zz1KsQbol8Te5VGMALUI6CJJH8SbO0Ri4HYm1OorHCc-1EWFGOswRg/s564/Screen+Shot+2013-06-30+at+9.55.38+PM.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLWijA6Tv8Ed5fTuysNbuKWk8CnmUwgR4HJGGZwf1rIfPzoPS69wRbbRAi8vPjc6LdBz46PSTG5aliXo0-ZnJ62Zz1KsQbol8Te5VGMALUI6CJJH8SbO0Ri4HYm1OorHCc-1EWFGOswRg/s320/Screen+Shot+2013-06-30+at+9.55.38+PM.png" height="258" width="320" /></a></div>
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><b>If all of your settings are otherwise correct, you can skip towards the bottom and learn how to activate the macro.</b> Otherwise, read on for a description of exactly what the macro will be doing, step by step:</span><br />
<br />
<span style="font-family: "Trebuchet MS",sans-serif;">First, the QuicKeys macro will create a subclip using the multigrouping keystrokes assigned to the numbers 1-6. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">After the subclip has been created, Step 15 will click in the name column, then Step 18 (“TAB”) will shift you to the Mark In Column.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDWtUJCrxIFt9C4pgHokj_QNsSvZWNwqoKr-NcisAg9c6oSEFvNvu-RlJXkH_A_hrjXFbfahygqwC4I02ggBtQA-aasNiP4nHtldiGaznbonh8XjXvSlXlNBz7T3Csi756rmdV0-TENjg/s395/Screen+Shot+2013-06-30+at+6.07.21+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDWtUJCrxIFt9C4pgHokj_QNsSvZWNwqoKr-NcisAg9c6oSEFvNvu-RlJXkH_A_hrjXFbfahygqwC4I02ggBtQA-aasNiP4nHtldiGaznbonh8XjXvSlXlNBz7T3Csi756rmdV0-TENjg/s320/Screen+Shot+2013-06-30+at+6.07.21+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ouL2k2xch9iHZtWstSGNxy0DStPkYTidsY9i3oU3ZYcrUqa5mv-7VKeEGOC0HNQ-j8JASmDoXH9NEDd2_-SRZSwttyuVWoYkHgsceHxH0EnB70DzRR4n5PfGOCrXB7icVcNQXYmqbQs/s395/Screen+Shot+2013-06-30+at+6.07.25+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ouL2k2xch9iHZtWstSGNxy0DStPkYTidsY9i3oU3ZYcrUqa5mv-7VKeEGOC0HNQ-j8JASmDoXH9NEDd2_-SRZSwttyuVWoYkHgsceHxH0EnB70DzRR4n5PfGOCrXB7icVcNQXYmqbQs/s320/Screen+Shot+2013-06-30+at+6.07.25+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Step 20 (“Shift + Return”) will take you to the bottom of the bin, where your sequence is located.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89ZIwTLOttIgcUe0zRri21CJH1jF-eKAhjdfRSMFpKjNuwTI6q8kN7nRgZgnPJafHLHWGWiB-niJ4N5YbvaDFPyaYFHgLN6FGhAmW_NixbqtpqNpIQ5eaTg5o_hRMOrLWRyNTDY5VaPw/s395/Screen+Shot+2013-06-30+at+6.07.33+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89ZIwTLOttIgcUe0zRri21CJH1jF-eKAhjdfRSMFpKjNuwTI6q8kN7nRgZgnPJafHLHWGWiB-niJ4N5YbvaDFPyaYFHgLN6FGhAmW_NixbqtpqNpIQ5eaTg5o_hRMOrLWRyNTDY5VaPw/s320/Screen+Shot+2013-06-30+at+6.07.33+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">QuicKeys will copy that Mark In value, which will be the basis of your Auxiliary Timecode entries. It will then hit tab again, which will bring you to the Auxiliary TC1 Column.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Then it will press enter, which brings you back up to your subclip, then it will hit paste, which pastes the Mark In value to the subclip’s Auxiliary TC1 Column.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSDIPI6RzqNg6ku3zQ9sJJbaQuL2LY9fG-LaQb702PTE_p5HjexTpbOqY2Gx4OvHqXSAj-TubXSppJ10h5ePERYQUZeoixKSTlWL-7Qh-xdDB9rwerlrhYsF35bR58n8IrfBz2WdvLOg4/s393/Screen+Shot+2013-06-30+at+6.07.44+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSDIPI6RzqNg6ku3zQ9sJJbaQuL2LY9fG-LaQb702PTE_p5HjexTpbOqY2Gx4OvHqXSAj-TubXSppJ10h5ePERYQUZeoixKSTlWL-7Qh-xdDB9rwerlrhYsF35bR58n8IrfBz2WdvLOg4/s320/Screen+Shot+2013-06-30+at+6.07.44+PM.png" /></a></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Apple + 0 will bring you back to the timeline, “7” will skip you to the next Add Edit point.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;">Now go ahead and designate a keystroke to activate the macro. In my case it is F6. </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span>
<span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNENtKFFIFCA2r0vekgoCEyVsJMIssNWjiLMheTxAxHFStlQCdEbiWK8Xh4EnPNO3HZN4ERCQoAzKWzPPbOC4UtdVX472pOU6vga8mQ59otttgoH1byp_p-g-DI2bzAilTfe7T9RYePb4/s838/Screen+Shot+2013-06-30+at+6.15.20+PM.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNENtKFFIFCA2r0vekgoCEyVsJMIssNWjiLMheTxAxHFStlQCdEbiWK8Xh4EnPNO3HZN4ERCQoAzKWzPPbOC4UtdVX472pOU6vga8mQ59otttgoH1byp_p-g-DI2bzAilTfe7T9RYePb4/s640/Screen+Shot+2013-06-30+at+6.15.20+PM.png" /></a></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Finally, time to start the process.</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><b>NOTE: YOU MUST DEACTIVATE SEGMENT/OVERWRITE TOOLS FOR THE MACRO TO FUNCTION PROPERLY. </b>Otherwise the timeline indicator will get "stuck" on individual clips. </span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Press F6 (or whatever key you've set) in Avid with your timeline activated. A window will pop up asking you how many times you want it to run. You can count or estimate. Just make sure: if it repeats itself at the end of the sequence because you estimated incorrectly, delete the subclips with identical Aux Timecode. </span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">You'll also end up with Sub-Sequences in your bin. That's what happens over filler with no clip. You can delete those as well. Just make sure, of course, not to delete your Sync Map on accident.</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">Then voilà, you have automated the process of adding Auxiliary Timecode in Avid!</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">NOTE: Don't do any audio layers with your video except for Aux TC. If they are polyphonic you just need to do one of those as it subs them all together.</span>Willhttp://www.blogger.com/profile/01905552833156670954noreply@blogger.com0